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Jonathan Allen Lethem (⫽ ˈ l iː θ əm ⫽; born February 19, 1964) is an American novelist, essayist, and short story writer. His first novel , Gun, with Occasional Music , a genre work that mixed elements of science fiction and detective fiction , was published in 1994.
“Jonathan Lethem creates a vivid portrait of the borough of Brooklyn over 50 years of profound social and economic change. . . . Anyone attuned by personal experience to the vibrancy and edginess of New York City life, or who simply enjoys reading about it, will find something to savor here.”
Jonathan Allen Lethem (born February 19, 1964) is an American novelist, essayist and short story writer. His first novel, Gun, with Occasional Music, a genre work that mixed elements of science fiction and detective fiction, was published in 1994.
Oct 1, 2023 · Before “a writer living in Brooklyn” became a tiresome stereotype, there was Jonathan Lethem, who — like Bernard Malamud and Betty Smith before him — was actually born and raised in Brooklyn,...
Jonathan Lethem, an American novelist, essayist, and short story writer, is one of America's top literary voices. He was born in New York in 1964 and attended.
Oct 24, 2022 · Cressida Leyshon interviews the author Jonathan Lethem about “Narrowing Valley,” his story from the October 31, 2022, issue of The New Yorker.
Jonathan Lethem is the New York Times bestselling author of nine novels, including Dissident Gardens, Chronic City, The Fortress of Solitude , and Motherless Brooklyn , and of the essay collection The Ecstasy of Influence , which was a National Book Critics Circle Award finalist.
Nov 5, 2020 · The novelist perhaps most associated with Brooklyn lives in Claremont and has a delightful new dystopian novel out, "The Arrest".
Oct 6, 2023 · Jonathan Lethem's narrative is a nonlinear mosaic; an amalgamation of vignettes coming together to create a beautiful, gritty, impeccably researched portrait of Brooklyn, its history, and its...
Mar 1, 2021 · Cressida Leyshon interviews the author Jonathan Lethem about “The Crooked House,” his story from the March 8, 2021, issue of The New Yorker.
