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Emeric Pressburger (born Imre József Pressburger; 5 December 1902 – 5 February 1988) was a Hungarian-British screenwriter, film director, and producer.
The British film-making partnership of Michael Powell (1905–1990) and Emeric Pressburger (1902–1988)—together often known as The Archers, the name of their production company—made a series of influential films in the 1940s and 1950s.
Emeric Pressburger was a Hungarian-born screenwriter who wrote and produced innovative and visually striking motion pictures in collaboration with British director Michael Powell, most notably The Red Shoes (1948).
Emeric Pressburger. Writer: The Red Shoes. Educated at the Universities of Prague and Stuttgart, Emeric Pressburger worked as a journalist in Hungary and Germany and an author and scriptwriter in Berlin and Paris.
Oct 1, 2021 · Emeric Pressburger: England and exile. This feature, originally published in our December 1995 issue, explored the filmmaking philosophies of a man too often obscured by his ‘The Archers’ partner Michael Powell’s fame
Feb 6, 1988 · Emeric Pressburger, a British screenwriter whose widely acclaimed films made in collaboration with the director Michael Powell included ''The Red Shoes'' and ''Tales of Hoffmann,'' died...
Feb 23, 2024 · Narrated by Martin Scorsese, David Hinton’s documentary delves into filmmaking duo Michael Powell and Emeric Pressburger’s body of work.
Sep 6, 2021 · In their 18 years of creative partnership beginning 1939, the writer-producer-director team of Michael Powell and Emeric Pressburger – collectively known as The Archers – put together a formidable catalogue of films.
Emeric Pressburger (born Imre József Pressburger; 5 December 1902 – 5 February 1988) was a Hungarian British screenwriter, film director, and producer. He is best known for his series of film collaborations with Michael Powell, in an award-winning collaboration partnership known as the Archers and produced a series of films, notably 49th ...
4 days ago · At the beginning of “Made in England: The Films of Powell & Pressburger,” Martin Scorsese recounts how he first encountered the works of the legendary filmmaking duo of Michael Powell and Emeric Pressburger as a child under perhaps the worst conditions imaginable — on his family’s black-and-white television in substandard and edited prints that made hash of their visual elements. Even so, he found himself struck by the unique visions that saw them rise to the top of the British film ...
