Search results
The Brooklyn Immersionists were a community of artists, musicians and writers that integrated themselves and their creations into an industrial area of Williamsburg, Brooklyn in the 1990s.
Innovating an ecological culture eventually referred to as Immersionism, the Brooklyn Immersionists were a community of artists, musicians and writers that integrated themselves and their creations into an industrial area of Williamsburg, Brooklyn in the 1990s.
Ebon Fisher taught at MIT's Media Lab at its inception in 1985, and later became a leading figure in the Brooklyn Immersionists arts movement in Williamsburg, Brooklyn. An innovator of ecological "web jams" and "media organisms," Fisher has worked extensively on strategies for using media technology in the service of living systems.
718, 347, 929, and 917. Williamsburg is a neighborhood in the New York City borough of Brooklyn, bordered by Greenpoint to the north; Bedford–Stuyvesant to the south; Bushwick and East Williamsburg to the east; and the East River to the west. It was an independent city until 1855, when it was annexed by Brooklyn; at that time, the spelling ...
Jan 18, 2013 · The Immersionists sparked a Brooklyn Renaissance. They helped to shift cultural protocols away from cold, postmodern cynicism, towards something a whole lot warmer: immersive, mutual world...
Aug 18, 2014 · From learning the ropes at Studio 54 to hiding human-sized bongs in plain sight and procuring all the necessary permits to conduct a rave in Manhattan, what follows is an illuminating insight into the brutal and entertaining world of New York City rave culture in the last decade of the millennium. Matt E. Silver.
Jul 20, 2016 · The creative community that came together during the early 1990s in Williamsburg, now referred to as the Immersionists, shared a common interest in cultural innovation and deep involvement in their local environment. These young artists, musicians and urbanists made immersion in their immediate world more critical than participation in a remote ...
