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  1. en.wikipedia.org › wiki › DuelleDuelle - Wikipedia

    Duelle. Duelle (Une quarantaine) is a 1976 French experimental fantasy drama film directed by Jacques Rivette. The main title is a neologistic feminine form for the noun "duel". The director-assigned [1] English title is Twhylight, a combination of "twilight" and "why". The film stars Juliet Berto as the Queen of the Night who battles the Queen ...

  2. www.imdb.com › title › tt0074443Duelle (1976) - IMDb

    Sep 15, 1976 · Duelle: Directed by Jacques Rivette. With Juliet Berto, Bulle Ogier, Jean Babilée, Hermine Karagheuz. The Queen of the Night battles the Queen of the Sun over a magical diamond that will allow the winner to remain on Earth, specifically in modern day Paris.

    • (1.8K)
    • Drama, Fantasy, Mystery
    • Jacques Rivette
    • 1976-09-15
  3. Duelle - The Criterion Channel. Duelle. Directed by Jacques Rivette • 1976 • France Starring Juliet Berto, Bulle Ogier, Nicole Garcia. Jacques Rivette’s overlooked—though no less mesmerizing—follow-up to his beloved CÉLINE AND JULIE GO BOATING plays like the dark, noir-tinged flip side to that film’s sunny fantasy. Juliet Berto and ...

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    • Jacques Rivette
    • 121 min
    • 2
  5. Duelle (Jacques Rivette, 1976) The following is my April submission for Blindspots. The first of an aborted quartet of planned films that variated on the same theme, Jacques Rivette’s Duelle (une quarantaine) is a noir-cum-sci-fi fantasia, a tale of goddesses locked in an immortal struggle for the right to be mortal that plays out in an oblique homage to the films of the 1940s.

  6. Duelle. Two goddesses wage a battle for a magical blue diamond that will allow the winner to remain on earth. Though no one would ever think to call Jacques Rivette a realist, the fact remains ...

    • Drama, Fantasy
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  8. Duelle” asks both at the same time. Rivette’s film is as comprehensible on first viewing as the first visit of the first god(s) to humankind. Critic Jonathan Rosenbaum’s essential essay on his changing impressions across watches of “Duelle” correctly avers that there is a necessary surrender to abstraction required on early encounters with the work.