Giulio
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Jan 30, 2001 · Giulio (Marco Columbro) is at his last job as a bus driver before you change jobs; used to working with children as a driver for school trips, in his last day of work in Rome must accompany a group of seniors but all too sprightly guests of a rest home (Raffaele Pisu, Enzo Cannav... Read all.
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- 2001-01-30
- Giulio Base
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Apr 22, 2017 · Carmela, don Gregorio, Gabriella and Lorella have never met but they have a lot in common. In the mid 60's, at the peak of the great migratory wave, alone or together with their families, they arrived in Switzerland, where they lived for a more or less lengthy period. Four different stories that speak of hopes, dreams, and solidarity. But they also tell of closure, xenophobia, clandestinity and exploitation.
They lived here during the difficult Schwarzenbach years while listening to the young pop singer from Verona, Gigliola Cinquetti, who became famous after her victory at the Sanremo Music Festival of 1964 with her song Non ho l'età (per amarti) / I'm not old enough (to love you).
Gigliola Cinquetti’s breakthrough hit at Sanremo, Non ho l’età (literal translation I am not of age) became an overnight sensation that meant many things to millions of different people. This apparently innocent song about teenage love also became the secret gateway for the first generation of Italians who left their homeland and migrated ...
Year: 2001. Original title: Non ho l'età. Synopsis: Giulio (Marco Columbro) is at his last job as a bus driver before you change jobs; used to working with children as a driver for school trips, in his last day of work in Rome must accompany a group of ...You can watch Non ho l'età through on the platforms:
- Fabio Zamarion
- Giulio Base
- Italy
- Drama. Romance
Non ho l'Età - Un film di Olmo Cerri. Il ritornello che ha accompagnato migliaia di migranti italiani. Con Gabriella Bresson, Maria Bresson, Gigliola Cinquetti, Pantaleone Macrina. Documentario, Italia, Svizzera, 2017. Durata 93 min.
Different stories that intersect in the chords of one of the era's most popular songs, "Non ho l'età". Four stories that tell of migration, dreams and solidarity, but also of exclusion, xenophobia, clandestine behaviour and exploitation.
