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  1. War and Peace, Part II: Natasha Rostova: Directed by Sergey Bondarchuk. With Lyudmila Saveleva, Sergey Bondarchuk, Vyacheslav Tikhonov, Viktor Stanitsyn. Natasha Rostova, a young Russian aristocrat, meets prince Andrey Bolkonskiy at a ball and immediately falls in love with him.

    • (1.8K)
    • Drama
    • Sergey Bondarchuk
    • 1966-07-23
  2. The prince travels abroad, and Natasha desperately longs for him. But she then meets Anatol Kuragin and forgets of Andrei. At the last minute, she regrets and abandons her plans to elope with Anatol. Bolkonsky hears of this and declares their betrothal is over. Pierre, trying to calm her down, suddenly announces he loves her.

    • Sergey Bondarchuk
    • 6
    • Ludmila Savelyeva
  3. Each part is a separate admission, but an All-Access Pass grants free admission to them all! War and Peace: Chapter I, Andrei Bolkonsky (147 min) Sun Oct 20 @ 7:00 • Sun Nov 3 @ 1:45; War and Peace: Chapter II, Natasha Rostova (98 min) Sun Oct 27 @ 7:00 • Sun Nov 3 @ 4:30; War and Peace: Chapter III, The Year 1812 (81 min) Sun Nov 3 @ 7:00

  4. War and Peace, Part II: Natasha Rostova is available to watch on HBO Max. It is a streaming service from WarnerMedia, offering a vast library of content from HBO, Warner Bros., and other brands.

  5. WAR AND PEACE, PART II: NATASHA ROSTOVA. Here’s a new digital restoration of one of the most expensive and spectacular Soviet films ever made! Sergei Bondarchuk’s lavish adaptation of Leo Tolstoy’s tome cost the equivalent of 60-70 million 2019 dollars and employed 120,000 soldiers as extras in its battle scenes.

  6. Part Two of Sergei Bondarchuk's epic adaptation of "War and Peace" contains not a single gruesome war-time death, and yet I think I enjoyed it more than the previous instalment. 'Voyna i mir II: Natasha Rostova (1966)' almost entirely follows the exploits of the title character Natasha Rostova (Lyudmila Savelyeva), the adolescent daughter of a countess.

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  8. NATASHA ROSTOVA Directed by Sergei Bondarchuk • 1966 • Soviet Union At the height of the Cold War, the Soviet film industry set out to prove it could outdo Hollywood with a production that would dazzle the world: a titanic, awe-inspiring adaptation of Tolstoy’s classic tome in which the fates of three souls—the blundering, good-hearted Pierre; the heroically tragic Prince Andrei; and the radiant, tempestuous Natasha—collide amid the tumult of the Napoleonic Wars.