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  1. Feb 4, 1992 · I Know the Way to the Hofbrauhaus: Directed by Herbert Achternbusch. With Herbert Achternbusch, Bernd Bayerl, Uschi Burkhart, Barbara de Koy. Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes.

    • (31)
    • Comedy
    • Herbert Achternbusch
    • 1992-02-04
  2. Jan 11, 2022 · Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost.

  3. Visit the movie page for 'I Know the Way to the Hofbrauhaus' on Moviefone. Discover the movie's synopsis, cast details and release date. Watch trailers, exclusive interviews, and...

  4. Year: 1992. Original title: I Know the Way to the Hofbrauhaus. Synopsis: Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, ...You can watch I Know the Way to the Hofbrauhaus through on the platforms:

    • Herbert Achternbusch
    • Herbert Achternbusch
  5. Peter Luppa Cast. Critics reviews. In the Egyptian Collection in Munich, the director’s alter-ego, Hick, is cleaning the statue of Osiris. He asks a favor from the deity – a rendezvous with the Egyptian queen Hatshepsut. His request is granted, and the bite of a snake turns him into the un-dead.

  6. Jan 1, 1991 · Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost.

  7. Jan 1, 1991 · Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost. Unable to meet the demands of the workaday world, Hick wanders alone through the city and, as in many of Achternbusch's films, enters an intermediate realm in which the dead interact with the living: he encounters and falls in love ...