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The Cotton Club is a 1984 American musical crime drama film co-written and directed by Francis Ford Coppola and based on James Haskins ' 1977 book of the same name. The story centers on the Cotton Club, a Harlem jazz club in the 1930s. The film stars Richard Gere, Gregory Hines, Diane Lane, and Lonette McKee, with Bob Hoskins, James Remar ...
The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940). [1] . The club operated during the United States' era of Prohibition and Jim Crow era racial segregation.
Cotton Club, legendary nightspot in the Harlem district of New York City that for years featured prominent Black entertainers who performed for white audiences. The club formed the springboard to fame for Duke Ellington, Cab Calloway, Louis Armstrong, Ethel Waters, Lena Horne, and many others.
- The Editors of Encyclopaedia Britannica
Dec 14, 1984 · The Cotton Club: Directed by Francis Ford Coppola. With Richard Gere, Gregory Hines, Diane Lane, Lonette McKee. Meet the jazz musicians, dancers, owner, and guests (like gangster Dutch Schultz) of The Cotton Club in 1928-1930s Harlem.
- (20K)
- Crime, Drama, Music
- Francis Ford Coppola
- 1984-12-14
Jun 27, 2023 · The Cotton Club was a controversial speakeasy and showplace of the Harlem Renaissance, where African American musicians like Duke Ellington and Billie Holiday made their mark. Learn about the club's history, music, and legacy in this article.
- Rosie Lesso
The Cotton Club | Legendary New York Jazz Club. Featured Events. About the Cotton Club. Within a few years after Prohibition was enacted, a number of prosperous clubs had opened in Harlem. All followed the same basic formulae: present exotic late night entertainment and, more importantly, sell a lot of bootleg liquor.
The Cotton Club is remarkably both very well-known and academically unexplored, and this work both begins that exploration and revises the simple binary that positions the club as either a place of segregated racial misery or unencumbered Jazz Age joy.
