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Robert de la Cheyniest
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Attempts to leave with another man's wife are particularly difficult, as well, unless the other man has a mistress of his own. These are but a few rules of the game. The old are for the old, the young are for the young. Members of one social order are forbidden to see members from another, and so on.
- (32K)
- Comedy, Drama
- Jean Renoir
- 1950-04-08
The Rules of the Game (original French title: La règle du jeu) is a 1939 French satirical comedy-drama film directed by Jean Renoir. The ensemble cast includes Nora Gregor , Paulette Dubost , Mila Parély , Marcel Dalio , Julien Carette , Roland Toutain , Gaston Modot , Pierre Magnier and Renoir.
The Rules of the Game. Considered one of the greatest films ever made, Jean Renoir’s The Rules of the Game is a scathing critique of corrupt French society cloaked in a comedy of manners in which a weekend at a marquis’s country château lays bare some ugly truths about a group of haut-bourgeois acquaintances.
- Marquis Robert de la Cheyniest
Feb 29, 2004 · The movie takes the superficial form of a country house farce, at which wives and husbands, lovers and adulterers, masters and servants, sneak down hallways, pop up in each other's bedrooms and pretend that they are all proper representatives of a well-ordered society.
La Règle du jeu est un des films les plus commentés de l'histoire du cinéma. Il a influencé un nombre très important de scénaristes, de réalisateurs [note 2]. Selon François Truffaut, La Règle du jeu constitue « le credo des cinéphiles, le film des films » [3].
- Jean Renoir
- Nouvelle Édition française (N.E.F.)
- Jean Renoir, Carl Koch
Huge-spirited and sharp-eyed, Jean Renoir’s French-society fresco gathers high classes and low for a weekend of country-house fallout. Made on the cusp of WWII, Jean Renoir’s satire of the upper-middle classes was banned as demoralising by the French government for two decades after its release.
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La Règle du jeu (The Rules of the Game, 1939), set in contemporary France, the breakdown of civilization has already occurred. European society is shown to be an elegant but brittle fabrication in which feeling and substance have been replaced by “manners,” a world in which “the terrible thing,”…
