Gustav von Aschenbach
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Death in Venice (German: Der Tod in Venedig) is a novella by German author Thomas Mann, published in 1912. It presents an ennobled writer who visits Venice and is liberated, uplifted, and then increasingly obsessed by the sight of a boy in a family of Polish tourists—Tadzio, so nicknamed for Tadeusz.
Death in Venice (Italian: Morte a Venezia) is a 1971 historical drama film directed and produced by Italian filmmaker Luchino Visconti, and adapted by Visconti and Nicola Badalucco from the 1912 novella of the same name by German author Thomas Mann.
Death in Venice Abroad on holiday, composer Gustav Aschenbach is reserved and civilized.But when he glimpses someone who inspires him to giveway to a secretpassion, it foreshadows his doom. IMDb 7.4 2 h 10 min 1971
Jun 1, 1971 · Death in Venice: Directed by Luchino Visconti. With Dirk Bogarde, Romolo Valli, Mark Burns, Nora Ricci. While recovering in Venice, sickly composer Gustav von Aschenbach becomes dangerously fixated with teenager Tadzio.
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Death in Venice. Based on the classic novella by Thomas Mann, this late-career masterpiece from Luchino Visconti is a meditation on the nature of art, the allure of beauty, and the inescapability of death.
Composer Gustave Aschenbach (Dirk Bogarde) travels to a Venice resort to escape personal and artistic stress. However, peace eludes him as he develops a disturbing attraction to an adolescent boy...
- (28)
- Drama, LGBTQ+
- PG
Oct 14, 2014 · Where trailers from the past, from recent to long ago, from a time before YouTube, can be enjoyed by all. We search near and far for original movie trailer from all decades. Feel free to send us...
In the early 20th century, Gustav von Aschenbach (Sir Dirk Bogarde), once married with a daughter, is a Munich-based composer of experimental music. Now a frail middle-aged man in ill health, he is advised by his doctor to get complete rest.
Directed by Luchino Visconti • 1971 • Italy. Starring Dirk Bogarde, Björn Andrésen, Marisa Berenson. Based on the classic novella by Thomas Mann, this late-career masterpiece from Luchino Visconti is a meditation on the nature of art, the allure of beauty, and the inescapability of death.
