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  1. Guess Who's Coming to Dinner is a 1967 American romantic comedy-drama film produced and directed by Stanley Kramer, and written by William Rose. It stars Spencer Tracy (in his final role), Sidney Poitier, and Katharine Hepburn, and features Hepburn's niece Katharine Houghton.

  2. A classic 1967 comedy drama about a white woman's interracial engagement and the reaction of her parents. IMDb provides cast and crew information, user and critic reviews, trivia, goofs, quotes, and more.

    • (49K)
    • Comedy, Drama
    • Stanley Kramer
    • 1967-12-12
  3. Guess Who's Coming to Dinner streaming: where to watch online? Currently you are able to watch "Guess Who's Coming to Dinner" streaming on Tubi TV for free with ads or buy it as download on Amazon Video, Vudu, Apple TV, Google Play Movies, YouTube, Microsoft Store.

    • 28
    • Stanley Kramer
    • 108 min
    • Guess Who's Coming to Dinner movie1
    • Guess Who's Coming to Dinner movie2
    • Guess Who's Coming to Dinner movie3
    • Guess Who's Coming to Dinner movie4
    • Guess Who's Coming to Dinner movie5
  4. Guess Who's Coming to Dinner. 1967 · 1 hr 49 min. TV-14. Drama · Comedy. A daughter visits her family to introduce them to her Black fiancé, whose kindness and loving demeanor changes the hearts of her reluctant parents. Subtitles: English. Starring: Spencer Tracy Sidney Poitier Katharine Hepburn Katharine Houghton Cecil Kellaway Beah Richards.

    • Stanley Kramer
    • January 1, 1967
    • 108 min
  5. When Joanna Drayton (Katharine Houghton), a free-thinking white woman, and black doctor John Prentice (Sidney Poitier) become engaged, they travel to San Francisco to meet her parents.

    • (38)
    • Spencer Tracy
    • Stanley Kramer
    • Columbia Pictures Corporation
  6. An aging couple's liberal principles are tested when their daughter announces her engagement to a black doctor.

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  8. A classic film about interracial marriage starring Katharine Hepburn, Spencer Tracy and Sidney Poitier. Ebert praises the entertainment value and the performances, but criticizes the plot contrivances and the stereotypes.