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  1. Nov 11, 2005 · Kiss Kiss Bang Bang: Directed by Shane Black. With Robert Downey Jr., Val Kilmer, Michelle Monaghan, Corbin Bernsen. After being mistaken for an actor, a New York thief is sent to Hollywood to train under a private eye for a potential movie role, but the duo are thrown together with a struggling actress into a murder mystery.

  2. Kiss Kiss Bang Bang is a 2005 American neo-noir black comedy crime film written and directed by Shane Black (in his directorial debut), and starring Robert Downey Jr., Val Kilmer, Michelle Monaghan, and Corbin Bernsen. The script is partially based on the Brett Halliday novel Bodies Are Where You Find Them (1941), and interprets the classic ...

  3. Winning the part, he lands in Hollywood, where he's flung into a tangled, murderous conspiracy with his childhood sweetheart, Harmony Lane (Michelle Monaghan), and hard-boiled private eye Perry ...

    • (184)
    • Mystery & Thriller, LGBTQ+
    • R
  4. In Kiss Kiss, Bang Bang, a breezy take on writer-director Shane Black's trademark buddy action/comedy oeuvre, a petty thief (Robert Downey Jr.) is brought to...

  5. A pink-haired girl, affiliated with the killers, steals Harmony's car and unwittingly drives an unconscious Harry to her safe house. The remaining lake killer arrives and shoots her; Harry recovers the pistol and shoots the thug. His finger has fallen off again, so he puts it on ice, but a dog jumps up and eats it.

  6. Synopsis. A private investigator, a struggling actress and a thief posing as an actor must band together to solve a murder shrouded in mystery. Starring Robert Downey Jr., Val Kilmer and Michelle Monaghan, the comedy thriller is partially based on Brett Halliday’s 1941 novel, Bodies Are Where You Find Them.

  7. Oct 20, 2005 · "All you need to make a movie is a girl and a gun," as I so tirelessly quote Jean-Luc Godard. Pauline Kael refined that insight after seeing a movie poster in Italy which translated as "Kiss Kiss Bang Bang." These four words, she wrote "are perhaps the briefest statement imaginable of the basic appeal of the movies. The appeal is what attracts us and ultimately makes us despair when we begin to understand how seldom movies are more than this."