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  1. No Sin on the Alpine Pastures (German: Auf der Alm da gibt's koa Sünd) is a 1974 West German comedy film directed by Franz Josef Gottlieb and starring Alena Penz, Alexander Grill and Rinaldo Talamonti. It is part of the cycle of Bavarian sex comedies made during the era Location shooting took place in Austria.

  2. Language: German. No Sin on the Alpine Pastures (German: Auf der Alm da gibt's koa Sünd) is a 1974 West German comedy film directed by Franz Josef Gottlieb and starring Alena Penz, Alexander Grill and Rinaldo Talamonti.

  3. No Sin on the Alpine Pastures (German: Auf der Alm da gibt's koa Sünd) is a 1974 West German comedy film directed by Franz Josef Gottlieb and starring Alena Penz, Alexander Grill and Rinaldo Talamonti. It is part of the cycle of Bavarian sex comedies made during the era Location shooting took place in Austria.

  4. No Sin on the Alpine Pastures (German: Auf der Alm, da gibt's ka Sünd) may refer to: No Sin on the Alpine Pastures (1915 film), a silent German comedy film. No Sin on the Alpine Pastures (1950 film), an Austrian comedy film. No Sin on the Alpine Pastures (1974 film), a West Germany comedy film.

  5. No Sin on the Alpine Pastures (German: Auf der Alm da gibt's koa Sünd) is a 1974 West German comedy film directed by Franz Josef Gottlieb and starring , Alexander Grill and . It is part of the cycle of Bavarian sex comedies made during the era Location shooting took place in Austria.

  6. Overview. Cast & Crew. No Sin on the Alpine Pastures (German: Auf der Alm da gibt's koa Sünd) is a 1974 West German comedy film directed by Franz Josef Gottlieb and starring Alena Penz, Alexander Grill and Rinaldo Talamonti. It is part of the cycle of Bavarian sex comedies made during the era Location shooting took place in Austria.

  7. May 1, 2020 · Den-en ni shisu (1974) AKA Pastoral: To Die in the Country. Den-en ni shisu (1974) 4.6. ( 38) Set in a dreamlike rural Japan, the story starts out to be about an adolescent boy’s attempt to escape his overprotective mother and then surprisingly becomes a filmmaker’s desire to confront his own elaborated creation.