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  1. Ildikó Enyedi (Hungarian: [ˈɛɲɛdi ˈildikoː]; born 15 November 1955) is a Hungarian film director and screenwriter. She is best known for directing On Body and Soul , [1] which won the top prize at the 67th Berlin International Film Festival [2] [3] [4] among other awards, and was nominated for a Foreign Language Academy Award .

  2. Ildikó Enyedi. Director: On Body and Soul. Ildikó Enyedi was born on 15 November 1955 in Budapest, Hungary. She is a director and writer, known for On Body and Soul (2017), Simon, the Magician (1999) and My Twentieth Century (1989).

    • January 1, 1
    • 2 min
    • Budapest, Hungary
  3. Ildikó Enyedi. Director: On Body and Soul. Ildikó Enyedi was born on 15 November 1955 in Budapest, Hungary. She is a director and writer, known for On Body and Soul (2017), Simon, the Magician (1999) and My Twentieth Century (1989).

    • November 15, 1955
  4. Jul 19, 2023 · Dualities and parallels abound in Ildikó Enyedi’s remarkable Az én XX. századom (My Twentieth Century, 1989), a singularly playful, magical realist, retro-futuristic, richly allusive, erotically charged, and witty film concerned with the utopian promise modernity and its technological marvels held at the outset of the 20th century – not least, the cinematic apparatus.

    • Cerise Howard
  5. Jul 9, 2021 · Cannes: Ildikó Enyedi on ‘The Story of My Wife,’ Her “Kind and Tender Farewell to Patriarchy” Léa Seydoux and Dutch actor Gijs Naber star in the Hungarian director's English-language ...

  6. Jul 6, 2023 · Oscar-nominated Hungarian filmmaker Ildiko Enyedi is celebrated for her bold, unclassifiable features (like the Cannes-winning sci-fi MY 20TH CENTURY). But ...

    • 12 min
    • 645
    • MUBI
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  8. Jul 3, 2023 · Coming almost 30 years after Ildikó Enyedi’s extraordinary breakthrough feature, Az én XX. századom (My Twentieth Century, 1989), and 18 years since her last, Simon mágus (Simon, the Magician), Teströl és lélekröl (On Body and Soul) may have seemed like a return from the wilderness. The film’s exquisite and poised opening images, showing a male and female deer walking through the falling snow while tentatively intermingling, partly pictorializing this risky metaphor.