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Subrata Mitra (12 October 1930 – 7 December 2001) was an Indian cinematographer. Acclaimed for his work in The Apu Trilogy (1955–1959), Mitra often is considered one of the greatest Indian cinematographers.
Subrata Mitra is a Partner at Accel. He joined when Erasmic Venture Fund, a firm that he co-founded, rebranded to become part of Accel. Read more.
View Subrata Mitra’s profile on LinkedIn, a professional community of 1 billion members. I have held senior positions at Deliver organizations in companies in the US/India… · Experience:...
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Subrata Mitra. Cinematographer: Pather Panchali. From 1997 until his death, Subrata Mitra taught cinematography at the Satyajit Ray Film and Television Institute (SRFTI) at Kolkata, India.
Jan 29, 2021 · In the annals of Indian cinema, Subrata Mitra – who worked in the age of celluloid – has a special place for bawling out sloppy technicians and projectionists.
Dec 8, 2023 · A rmed with a pocket-sized notebook and an insatiable curiosity, Subrata Mitra trailed French director and screenwriter Jean Renoir’s set for The River in Kolkata.
About Subrata Mitra. Before becoming a venture capitalist, Mitra founded and sold his AI startup Firewhite to mobile and wireless services provider Ubiquio in 2002. In 2004, Mitra cofounded a...
Dec 28, 2001 · Subrata Mitra. Movie cameraman who worked with Satyajit Ray and gave the early Merchant Ivory films their characteristic look. Brian Baxter. Thu 27 Dec 2001 20.06 EST. One of the most fortuitous...
One of the most renowned and influential cinematographers of the twentieth century, Subrata Mitra left an indelible mark on the progression of Indian cinema’s aesthetics. Known primarily for his ground-breaking work on Satyajit Ray’s Apu Trilogy, Mitra was also a mentor figure for many young filmmakers and cinematographers who followed in ...
Subrata Mitra is an hour-long documentary made by Arindam Saha Sardar. It is a tribute to one of the greatest cinematographers Indian cinema has produced. His life was dedicated to technical innovations with lighting, camera and cinema with an aim to enrich its aesthetics and not to pursue personal gain.
