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  1. en.wikipedia.org › wiki › Ric_O'BarryRic O'Barry - Wikipedia

    Richard "Ric" O'Barry (born Richard Barry O'Feldman; October 14, 1939) is an American animal rights activist and former animal trainer who was first recognized in the 1960s for capturing and training the five dolphins that were used in the TV series Flipper.

  2. www.dolphinproject.com › about-us › about-ric-obarryAbout Ric O’Barry | Dolphin Project

    Fom Dolphin Trainer, To Dolphin Defender. In the 1960s, O’Barry was employed by the Miami Seaquarium, where he captured and trained dolphins, including the five dolphins who played the role of Flipper in the popular American TV series of the same name.

  3. www.dolphinproject.com › about-usAbout Us | Dolphin Project

    About Ric. Our Team. Contact Us. Newsletter. Contact Us. Legal. Shop. Ric O'Barry's Dolphin Project is registered as a 501(c)(3) non-profit organization, and all donations are tax-deductible as authorized by law. IRS 990s: 202220212020.

  4. www.dolphinproject.comDolphin Project | Let's Protect Dolphins Together

    In it, Wolfgang Kiessling, the founder of Loro Parque, One Dolphin’s Story – Bella. Imagine spending the last five years of your life in solitary confinement, your only (intermittent) company, a species who doesn’t even speak. Complex Animals, Barren Enclosures at Loro Parque.

  5. www.youtube.com › c › ricobarrysdolphinprojectincDolphin Project - YouTube

    Official YouTube Channel For Ric O'Barry's Dolphin Project Dedicated to the welfare and protection of dolphins worldwide since Earthday 1970. www.DolphinProject.com

  6. www.bbc.co.uk › programmes › w3ct1jz4Flipper’s trainer turned dolphin saviour - BBC

    Sep 29, 2021 · Ric O'Barry was a star dolphin trainer in the 1960s and worked on the TV show Flipper. But after Flipper herself died in his arms, Ric made a dramatic U-turn and became an activist,...

  7. www.earthisland.org › journal › index“Everything Starts with a Dream”: An Interview with Ric O’Barry

    Feb 27, 2013 · Marine mammal defender Ric O’Barry was in Japan in early February to monitor the situation in Taiji and to discuss his new project, a musical event that could end up being larger than the Rolling Coconut Review, which took place in April of 1977.