1922
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Karin Swanström (June 13, 1873 – July 5, 1942) was a Swedish actress, producer and director. Early life. Swanström was born in St. Olai congregation in Norrköping. Little is known of her life before she was accepted for the Royal Dramatic Theatre school in 1890 when she was seventeen.
Karin Sofia Claësson, känd under flicknamnet Karin Swanström, född 13 juni 1873 [1] i Norrköpings Sankt Olai församling i Östergötlands län [2], död 5 juli 1942 i Sankt Görans församling i Stockholm, [1] var en svensk skådespelare, regissör, producent och teaterdirektör.
ÅrRollProduktionRegiFru VerdierOdygdens belöning Félix Gandéra och ...Karin SwanströmMiss ShoeEn sensation hos Mrs Beam Charles ...Lady MardenMr Pim tittar in A.A. MilneGrevinnan de la BrièreVad varje kvinna vet J. M. BarrieKarin Swanström är en av de stora doldisarna i svensk filmhistoria. Hon var skådespelare, regissör och produktionsledare, men den yrkesroll som gav henne mest inflytande i den svenska filmindustrin var den som konstnärlig rådgivare på Svensk Filmindustri mellan 1933 och 1941.
Karin Swanström was born on 13 June 1873 in Norrköping, Östergötlands län, Sweden. She was an actress and production manager, known for June Night (1940), Kalle Utter (1925) and Flickan i frack (1926). She was married to Stellan Claësson. She died on 5 July 1942 in Stockholm, Stockholms län, Sweden.
- January 1, 1
- Norrköping, Östergötlands län, Sweden
- January 1, 1
- Stockholm, Stockholms län, Sweden
Swedish producer, director and actress. Born as Karin Sofia Svanström in Norrköping. Died in Stockholm.-Not a household name, Karin Swanström was nonetheless a major figure in Swedish film history. As an actress we can study her film roles between 1921 and 1942, when she died aged 59.
1873-06-13 — 1942-07-05. Actor, theatre manager, pioneering female movie director and producer. Karin Swanström was a prominent actor, theatre director, film producer and the first female Swedish producer of a feature film.
Karin Swanström (1873-1942) var skådespelerska med en gedigen bakgrund inom både svensk och finsk teater, men också en av de första kvinnorna i svensk filmhistoria som regisserade långfilm. Fyra långfilmer blev det, under 1920-talet.
