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Bruno Nuytten (born 28 August 1945) is a French cinematographer turned director. Camille Claudel which was Nuytten's first directorial and screenwriting effort, won the César Award for Best film in 1989. The film starred and was co-produced by Isabelle Adjani, with whom he had a son, Barnabé Saïd-Nuytten. Adjani won the Silver Bear for Best ...
Bruno Nuytten. Bruno Nuytten is one of the most successful French cinematographers notable for his many collaborations with outstanding filmmakers. He was twice awarded the César for Best Cinematography: Barocco (1976) and So Long, Stooge (1983). Later he started to direct and is best known for his masterpiece Camille Claudel (1988) starring ...
modifier. Bruno Nuytten, né le 28 août 1945 à Melun, est un directeur de la photographie et réalisateur français. Récipiendaire de trois Césars (1977, 1984, 1989) et du BAFTA award (1988) il enseigne à l'école nationale de cinéma FEMIS dont il a dirigé le département « Image » jusqu'en 2002 et dont il a présidé le jury d ...
Dec 21, 1989 · Camille Claudel: Directed by Bruno Nuytten. With Isabelle Adjani, Gérard Depardieu, Madeleine Robinson, Laurent Grévill. Camille Claude impresses already-famous sculptor Auguste Rodin.
Jul 25, 2023 · French cinematographer and filmmaker Bruno Nuytten (b. 1945) is a two-time César winner and BAFTA recipient for his highly praised work in French cinema from the 1970s until 2000. As a cinematographer, he worked on screen classics such as his debut feature “Les valseuses” (1974); he also made several films for prominent filmmakers André Téchiné…
Bruno Nuytten. Cinematographer: Jean de Florette. Bruno Nuytten is one of the most successful French cinematographers notable for his many collaborations with outstanding filmmakers. He was twice awarded the César for Best Cinematography: Barocco (1976) and So Long, Stooge (1983). Later he started to direct and is best known for his masterpiece Camille Claudel (1988) starring Isabelle Adjani in one of her most acclaimed performances. Nuytten was in long relationship...
Anne-Dominque Toussaint is showing Bruno Nuytten’s “Found Images” through 24 March, and she has chosen a selection of abstract photos whose painterly quality is enhanced by the printer, but they also cause—in a less obvious way—symbiosis between the viewers and those being viewed : the feeling that through them, Bruno Nuytten is updating us on his life.
