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Julio Buchs. Writer: Murder by Music. Julio Buchs was born on 10 March 1926 in Madrid, Spain. He was a writer and assistant director, known for Murder by Music (1969), El apartamento de la tentación (1971) and Alta tensión (1972). He died on 20 January 1973 in Madrid, Spain.
- Julio Buchs
- January 20, 1973
- March 10, 1926
Julio Buchs García ( Madrid, 10 de marzo de 1926 - Madrid, 20 de enero de 1973) fue un director de cine español. Biografía. Nacido en Madrid e hijo del también director de cine José Buchs, comenzó en el mundo del cine como ayudante de dirección de su padre.
Julio Buchs is known as an Director, Screenplay, Writer, Story, Assistant Director, and Production Assistant. Some of his work includes A Bullet for Sandoval, High Voltage, Fedra, the Devil's Daughter, The Man Who Killed Billy the Kid, The Salary of Crime, El pecador y la bruja, Murder by Music, and Duelo en la cañada.
A Bullet for Sandoval: Directed by Julio Buchs. With George Hilton, Ernest Borgnine, Alberto de Mendoza, Leo Anchóriz. A Confederate deserter, whose Mexican girlfriend dies during childbirth, starts a feud with her Mexican family, becomes an outlaw and vows revenge on all who wronged him.
- (539)
- Western
- Julio Buchs
- 1970-05
Julio Buchs was born on 10 March 1926 in Madrid, Spain. He was a writer and assistant director, known for Murder by Music (1969), Alta tensión (1972) and El apartamento de la tentación (1971). He died on 20 January 1973 in Madrid, Spain.
I'll Kill Him and Return Alone (The Man Who Killed Billy the Kid; A Few Bullets More; Spanish: El hombre que mató a Billy el Niño) is a 1967 Spanish drama-Western film directed by Julio Buchs, written by Lucio Fulci, composed by Gianni Ferrio and starring Peter Lee Lawrence, Fausto Tozzi and Dyanik Zurakowska.
Aug 9, 2022 · This article examines two lesser-known colonial melodramas released during the Francoist period, Obsesión (1947) by Arturo Ruiz Castillo and Piedra de toque (1964) by Julio Buchs. Melodrama is not a genre prominently associated with colonial cinema, but it was the most popular style within the Spanish cinematographic production on Equatorial ...
