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Aug 16, 2023 · Renata Scotto in the title role of Bellini’s “Norma” at the Metropolitan Opera in New York in 1981. Between 1965 and 1987, she delivered more than 300 performances in 26 roles there....
- HOW SCOTTO - The New York Times
John Ardoin, music editor of The Dallas Morning News and...
- Hear What Makes ‘Norma’ the Everest of Opera
Among the divas who have tackled the title role of Bellini’s...
- HOW SCOTTO - The New York Times
At the performance of Bellini’s Norma which opened the Met's 1981/1982 season, fans of Maria Callas yelled negative remarks and booed Scotto from the moment she set foot on the stage. Many were removed from the opera house by security personnel.
Bellini: Norma. Sony: 88697446182. Buy download online. Renata Scotto (Norma), Tatiana Troyanos (Adalgisa), Giuseppe Giacomini (Pollione), Paul Plishka (Oroveso), Ann Murray (Clotilde), Paul Crook (Flavio) Ambrosian Opera Chorus & National Philharmonic Orchestra, James Levine
Jul 6, 2012 · Renata Scotto (born 24 February 1934) is an Italian soprano and opera director. Recognized for her sense of style, musicality and as a remarkable singer-actress, Scotto is considered one of the...
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Among the divas who have tackled the title role of Bellini’s “Norma” are, from left, Rosa Ponselle, Renata Scotto, Sondra Radvanovsky (who sings it to open the Metropolitan Opera’s season...
Aug 16, 2023 · Bel canto roles (including Donizetti’s Lucia di Lammermoor, Bellini’s Norma and Isabelle in Meyerbeer’s Robert le Diable) figured heavily in Scotto’s career throughout the 1960s, though Butterfly remained something of a constant and it was in that role that she made her Metropolitan Opera debut in 1965. One critic breathlessly reported ...
In the interim there were two Normas who were in different ways rather disappointing: Beverly Sills was in wobbly voice alongside an excellent Shirley Verrett (DG). Renata Scotto’s high notes were harsh and the conducting of James Levine was heavy-handed.
