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  1. en.wikipedia.org › wiki › Tom_LeetchTom Leetch - Wikipedia

    Tom Leetch is an American film producer, writer and director. His career included working on films for Walt Disney Productions, under the leadership of Walt Disney's son-in-law, Ron Miller. At Disney, Leetch first began as an assistant director on films such as Mary Poppins, The Ugly Dachshund and Monkeys, Go Home.

  2. www.wikiwand.com › en › Tom_LeetchTom Leetch - Wikiwand

    Tom Leetch is an American film producer, writer and director. His career included working on films for Walt Disney Productions, under the leadership of Walt Disney's son-in-law, Ron Miller. At Disney, Leetch first began as an assistant director on films such as Mary Poppins, The Ugly Dachshund and Monkeys, Go Home.

  3. Jan 23, 2018 · When this interview was conducted it a while after the original release of the film, and after the actual release of the shorter/second version of the film.Mr. Leetch spoke in a very different tone compared to how he spoke to me off the record.

  4. www.imdb.com › name › nm0498711Tom Leetch - IMDb

    Tom Leetch. Producer: The Magical World of Disney. Tom Leetch is known for The Magical World of Disney (1954), The Magic of Walt Disney World (1972) and The Sky's the Limit (1975).

  5. Tom Leetch is an American film producer, writer and director. His career included working on films for Walt Disney Productions, under the leadership of Walt Disney's son-in-law, Ron Miller. At Disney, Leetch first began as an assistant director on films such as Mary Poppins, The Ugly Dachshund and Monkeys, Go Home.

  6. Dec 31, 2014 · Tom Leetch. Publication date. 1972-12-22. Usage. Public Domain Mark 1.0. Topics. walt disney world, magic kingdom, disneyparks. Language. English. Before you see my own version of opening, closing and full-lenght feature film: Straight Outta Nowhere: Scooby-Doo!

  7. After a screening of a nearly completed print in late March, STARLOG talked with co-producer Tom Leetch about the making of it. Leetch was obviously happy with his film and clearly enjoyed discussing it; and we were often struck by the differences between his approach to Watcher and all we have learned about the making of The Black Hole.