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Joanna Hogg (born 20 March 1960) is a British film director and screenwriter. She made her directorial and screenwriting feature film debut in 2007 with Unrelated followed by Archipelago (2010), Exhibition (2013), The Souvenir (2019), The Souvenir Part II (2021), and The Eternal Daughter (2022).
Joanna Hogg was born on 20 March 1960 in London, England, UK. She is a director and writer, known for The Souvenir (2019), The Souvenir: Part II (2021) and Unrelated (2007).
Dec 20, 2022 · Joanna Hogg is probably the most understated filmmaker to currently have an entire cinematic universe revolving around her. The British director emerged with her 2007 debut feature, Unrelated,...
May 13, 2019 · The filmmaker, known for her unflinching portrayals of well-to-do Britons, is now turning her lens on herself in “The Souvenir”—an epic, multipart production about her emergence as an artist....
Dec 9, 2022 · What Martin Scorsese and Joanna Hogg Are Still Learning From Each Other. The filmmakers, who collaborated on Hogg’s two Souvenir films and now The Eternal Daughter. reunite to discuss the art...
Oct 29, 2021 · Joanna Hogg is the rare director to be given the greenlight for a two-part drama about finding her own voice. She’s only been thinking about it since 1988.
Joanna Hogg was born on March 20, 1960 in London, England, UK. She is a director and writer, known for The Souvenir (2019), The Souvenir: Part II (2021) and Unrelated (2007).
Nov 29, 2022 · Filmmaker Joanna Hogg mesmerized critics and audiences alike with her duo of semi-autobiographical films 2019’s “The Souvenir” and 2021’s “The Souvenir Part II." In filming these raw coming-of-auteur dramas, Hogg reunited with Tilda Swinton, her childhood friend and the star of her thesis film “Caprice.” During quarantine the two ...
May 17, 2019 · A visual artist who writes in images more literally than most, British auteur Joanna Hogg has decisively disowned some of the creative chains pertinent to fiction storytelling.
Oct 27, 2021 · NEW YORK (AP) — Joanna Hogg first had the instinct to make a film about her then-unfolding relationship to her heroin-addicted first love — a traumatic and formative time that coincided with her coming-of-age as a filmmaker — in 1979.
