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  1. Tristram Ogilvie Cary, OAM (14 May 1925 – 24 April 2008), was a pioneering English-Australian composer. He was also active as a teacher and music critic. [2] [3]

  2. www.imdb.com › name › nm0142639Tristram Cary - IMDb

    Tristram Cary was born on 14 May 1925 in Oxford, Oxfordshire, England, UK. He was a composer, known for The Ladykillers (1955), Quatermass and the Pit (1967) and The Boy Who Stole a Million (1960). He was married to Jane Delin and Doris (Dorse) Enid Jukes.

    • Composer, Music Department, Sound Department
    • May 14, 1925
    • Tristram Cary
    • April 24, 2008
  3. Tristram Cary was born at Oxford on the 14th May 1925, the third child of Joyce Cary, the novelist, and Gertrude Margaret Cary (nee Ogilvie). Cary was educated at Dragon School, Oxford; Westminster School, London (King's Scholar); Christ Church, Oxford (Exhibitioner) and Trinity College of Music, London. He served with the Royal Navy from 1943 ...

  4. Apr 15, 2010 · The phrase, "A new world every heartbeat" is taken from the novel, The Horse’s Mouth, by Tristram’s father, Joyce Cary. Though by all accounts, Cary Jr. could scarcely be further temperamentally from the perenially self-destructive Gulley Jimson, hero of Joyce Cary’s First Trilogy, the phrase nonetheless carries some of the utopian spirit ...

  5. www.bafta.org › heritage › in-memory-ofTristram Cary | BAFTA

    Tristram Cary was a composer and electronic music pioneer who worked on films, TV and concerts. He created scores for The Ladykillers, Doctor Who, Quatermass And The Pit and more.

  6. Tristram Cary was a pioneer of tape and electronic music but was equally at home with more conventional forces. As well as writing for the concert hall, he scored the film The Ladykillers and ...

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  8. With these words composer Warren Burt greeted the release of Tristram Cary’s ‘Nonet’ in the Newsletter of The Australasian Computer Music Association upon the release of the Tall Poppies CD, Sounding: Electro-Acoustic Works, 1955–1996 in the year 2000. This was the first commercial release for the work, one of Cary’s finest, twenty-one years after it was composed.