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Who won the Best Dance Direction award in 1937?
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The Academy Award for Best Dance Direction was presented from 1935 to 1937, after which it was discontinued due to pressure from the directors' branch. It is the only category for which a Marx Brothers film received an Oscar nomination, for the dance number All God's Chillun Got Rhythm in A Day at the Races (1937).
YearFilm (s)Dance Number (s)Nominees1935 (8th) [1]Broadway Melody of 1936 Folies Bergère de ..."I've Got a Feeling You're Fooling" ...1935 (8th) [1]All the King's Horses The Big Broadcast ..."Viennese Waltz" "It's the Animal in Me"1935 (8th) [1]Broadway Hostess Go into Your Dance"Playboy from Paree" "Latin from ...1935 (8th) [1]"Lullaby of Broadway" "The Words Are in ...* Dance Direction - "A Pretty Girl Is Like a Melody" from "The Great Ziegfeld" * Outstanding Production - Metro-Goldwyn-Mayer Art Direction - Cedric Gibbons, Eddie Imazu, Edwin B. Willis
The 9th Academy Awards were held on March 4, 1937, at the Biltmore Hotel in Los Angeles, California to honor films released in 1936. They were hosted by George Jessel, with music by the Victor Young Orchestra, with Spike Jones on drums.
Here are all the films that have been nominated for the Academy Award for Best Dance Direction
Feb 22, 2023 · From 1935 to 1937, the Academy Awards for Best Dance Direction rewarded the choreographers behind the most memorable and awe-inspiring dance numbers in film. It was a category that celebrated the perfect blend of music, movement, and storytelling, showcasing the creativity and passion of the filmmakers.
Feb 8, 2014 · The final Best Dance Direction prize was awarded to Hermes Pan in 1937 for his work on the “Stiff Upper Lip” sequence from A Damsel in Distress. This is a very fun, inventive, and cleverly staged number, featuring the incomparable Fred Astaire, Gracie Allen, and George Burns dancing in a carnival fun house. The choreography makes good use ...
The Great Ziegfeld also won Academy Awards for Best Actress (Luise Rainer) and Dance Direction (Seymour Felix) The Academy began to honor performances by actors and actresses in supporting roles. Walter Brennan (Come and Get It) and Gale Sondergaard (Anthony Adverse) were the first winners.
