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  1. www.imdb.com › name › nm0576478F.C. Mehra - IMDb

    F.C. Mehra was born on 29 August 1923 in Peshawar, British India. F.C. was a producer, known for Shikari (1963), Elaan (1971) and Professor (1962). F.C. died on 29 July 2008 in Mumbai, Maharashtra, India.

    • January 1, 1
    • Peshawar, British India
    • January 1, 1
    • Mumbai, Maharashtra, India
  2. F. C. Mehra was an Indian Producer and Director, born on 29 Aug 1923 in Peshawar, Pakistan. Under his banner, Eagle Films he has produced films like Singapore (1960), Professor (1962), Amrapali (1966), Elaan (1971), Bandi (1978), Bondi (1978), Hamare Tumhare (1979), Alibaba Aur 40 Chor (1980), Sohni Mahiwal (1984), Shikari (1991) etc.

    • Male
    • Actor
    • Indian
    • August 29, 1923
  3. Eagle Films is a Production Company based in Mumbai, India. It was established in 1953 by F.C Mehra. Along with his sons, Parvesh Mehra, Umesh Mehra, Rajesh Mehra & Rajiv Mehra, Eagle Films has made over 40 films and 500 episodes of Television.

  4. F.C. Mehra was born on August 29, 1923 in Peshawar, British India. F.C. was a producer, known for Shikari (1963), Elaan (1971) and Professor (1962). F.C. died on July 29, 2008 in Mumbai, Maharashtra, India.

    • August 29, 1923
    • July 29, 2008
  5. www.bafta.org › in-memory-of › fakir-chand-mehraFakir Chand Mehra | BAFTA

    After founding the successful Bollywood production company Eagle Films in 1953, Mehra was responsible for some of the biggest Hindi films of the last 50 years, including Singapore (1960), Professor (1962) and Ali Baba & The 40 Thieves (1980).

  6. Fakir Chand Mehra, the man behind Eagle Films label, was born on August 29, 1923, in Peshawar, British India (now Pakistan). He ended up playing a vital part in establishing the vast brand of conventional Hindi movies as a producer commencing in the mid-1950s.

  7. Founder of the Eagle Films banner, Fakir Chand Mehra, also known as F C Mehra, was born in Peshawar, British India, now Pakistan on 9th August 1923. As a producer, he went on to play a key role from the mid-1950s in creating the massive identity of mainstream Hindi cinema.