Yahoo India Web Search

  1. Ad

    related to: Girish Kasaravalli

Search results

  1. Girish Kasaravalli (born 3 December 1950) is an Indian film director, in the Kannada cinema, and one of the pioneers of the Parallel Cinema. Known internationally for his works, Kasaravalli has garnered fourteen National Film Awards, including four Best Feature Films; Ghatashraddha (1977), Tabarana Kathe (1986), Thaayi Saheba (1997) and Dweepa ...

  2. Jan 22, 2024 · Learn about the life and works of Girish Kasaravalli, a renowned Kannada filmmaker and critic who deconstructs scenes and defies norms. Explore his perspectives on Indian cinema, adaptation, emotion, and more in this interview.

  3. Girish Kasaravalli was born on 3 December 1950 in Kesalur, Karnataka, India. He is a director and writer, known for Gulabi Talkies (2008), Naayi Neralu (2006) and Riding the Stallion of a Dream (2010). He was previously married to Vaishali Kasaravalli.

    • Director, Writer, Producer
    • December 3, 1950
    • Girish Kasaravalli
  4. Oct 18, 2021 · Girish Kasaravalli, Kannada film director, is one of the pioneers of ‘parallel cinema’ in India. Kasaravalli has won 14 national film awards, including four for Best Feature Film:...

    • Kasturi Building, Anna Salai, 859-860, Mount Road, Chennai, 600002, Tamil Nadu
  5. The book explores the films of Girish Kasaravalli, a Kannada language filmmaker who challenges the art and commercial divide in cinema. It analyzes eight of his films based on novels, set in the context of Indian socio-political issues and cultural heritage.

  6. People also ask

  7. Nov 25, 2017 · Learn about the career and works of Girish Kasaravalli, a Kannada director who has made fourteen films with themes from literature and social issues. His films have won multiple national awards and international acclaim.

  8. May 31, 2021 · The filmmaker talks about his inspiration, themes and challenges in making a film based on a short story by Jayanth Kaikini. He also discusses the role of OTT in parallel cinema and the audience response to his depiction of caste and class.