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Basil Dearden (born Basil Clive Dear; 1 January 1911 – 23 March 1971) was an English film director.
Basil Dearden. Director: Sapphire. A former stage director, Basil Dearden entered films as an assistant to director Basil Dean (he changed his name from Dear to avoid being confused with Dean).
Basil Dearden. Director: Sapphire. A former stage director, Basil Dearden entered films as an assistant to director Basil Dean (he changed his name from Dear to avoid being confused with Dean). Dearden worked his way up the ladder and directed (with Will Hay) his first film in 1941; two years later he directed his first film on his own.
Apr 17, 2021 · Basil Dearden’s 1961 film, Victim, represents a significant moment in British film history. Released into a world where sex between adult men in the United Kingdom was a heavily policed crime, it is the first British film to use the word homosexual inside a narrative that thoughtfully and unsensationally captures the cumulative daily stresses ...
Experience in amateur dramatics led to work with the Ben Greet Company and to his appointment as assistant stage manager at the Grand Theatre, Fulham. In 1931 he became a general stage manager for the theatrical enterprises of the impresario Basil Dean.
Jan 25, 2011 · In Sapphire, two detectives investigate the murder of a college student who was of mixed race but was “passing” for white. The manhunt takes them on a tour of the city’s black communities, seldom shown cinematically before, and reveals the shocking intolerance of many in the white middle class.
Sapphire is a 1959 British crime drama film directed by Basil Dearden and starring Nigel Patrick, Yvonne Mitchell, Michael Craig, and Paul Massie.
Basil Dearden’s bold, direct police procedural, starring Nigel Patrick as the detective in charge of the investigation, is a devastating look at the way bigotry crosses class divides, and a snapshot of the increasingly interracial culture of England in the late fifties.
Apr 30, 2021 · Unlike Alfred Hitchcock, Basil Dearden chose to remain at home and explore the problems facing his compatriots as they stood alone against the Nazis and then struggled to come to terms with the very different world that emerged after their defeat.
Basil Dearden is, par excellence, the journeyman-director of British cinema, standing in much the same relation to Ealing (the studio for which he directed the greater part of his output) as, say, Michael Curtiz did to Warner Brothers.
