Search results
Story of Women (French: Une affaire de femmes) is a 1988 French drama film directed by Claude Chabrol, based on the true story of Marie-Louise Giraud, guillotined on 30 July 1943 for having performed 27 abortions in the Cherbourg area, and the 1986 book Une affaire de femmes by Francis Szpiner.
Story of Women: Directed by Claude Chabrol. With Isabelle Huppert, François Cluzet, Marie Trintignant, Nils Tavernier. A housewife in Nazi-occupied France struggles to make ends meet when her husband returns home after being wounded in the war.
- (5.8K)
- Drama, History, Romance
- Claude Chabrol
- 1990-02
Story of Women is a dramatization of unique circumstances, portraying an illicit abortionist in Nazi-occupied France whose actions the films portray variously as a result of practicality, a...
- (13)
- Isabelle Huppert
- Claude Chabrol
- Drama
Feb 14, 1990 · The movie begins in 1941, in wartime France. Huppert plays Marie, a poor woman with a drunken nobody of a husband. The lives of herself and her two small children are wretched. One day she barges into a neighbor's apartment and finds the woman trying to perform an abortion on herself.
Une affaire de femmes (Story of Women) tells the story of Marie Latour (Huppert), a French housewife living in poverty during World War 2 with her two young children while her husband Paul (François Cluzet) is a POW in Germany.
- (10K)
- Claude Chabrol
Synopsis. France, World War II. In order to somehow make ends meet, the mother of two children, Marie Latour, does underground abortions and rents a room to a familiar prostitute. She doesn't pay any attention to her husband, who returned from the war because of his injury and lives her own life.
- 108 min
People also ask
Is story of women based on a true story?
Where to watch story of women online?
What is women's stories?
What is 'woman' about?
Feb 15, 2017 · In Story of Women, the society is identified more specifically – Occupied France during World War II, where a housewife becomes an abortionist while her husband is interned in a German POW camp. Chabrol provocatively casts his analysis of the period in gendered terms.