2006
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Wang Xiaoshuai (Chinese: 王小帅; Chinese: 王小帥; pinyin: Wáng Xiǎoshuài; born May 22, 1966) is a Chinese film director, screenwriter, and occasional actor. He is commonly grouped under the loose association of filmmakers known as the "Sixth Generation" of the Cinema of China.
Wang Xiaoshuai is one of very few masters who remains true to his art in spite of rampant commercialism in the Chinese film market. Evoking the trauma of ordinary Chinese people caught in extraordinary times, his works span different eras, yet consistently reflect a strong social conscience.
Mar 27, 2024 · Filmmaker Draws Censors’ Wrath: ‘A Price I Have to Accept’. Wang Xiaoshuai is among the few Chinese artists who refuse to bend to state limitations on the subjects they explore. “I always ...
Feb 17, 2024 · The film’s director Wang Xiaoshuai, a three-time winner of Silver Bear awards at the Berlinale, is taking a considerable personal risk going ahead with the screening in the absence of approval...
Feb 23, 2024 · Chinese filmmaker Wang Xiaoshuai has dedicated a lot of his career to hard-hitting dramas about the drastic social and historical changes of his country. Who would have thought his latest film...
Wang Xiaoshuai. WANG Xiaoshuai (1966, Shanghai) completed his training as a filmmaker in 1988 at the Film Academy of Beijing. He started his career as assistant director at the Fujiang film studio. His second film, Frozen, was made with support from the Hubert Bals Fund.
Sep 30, 2022 · The Hotel marks Wang’s return to his 1990s guerrilla-style low-budget filmmaking, with a small crew and funds largely gathered outside of China. He once again works alongside Zhang Yuan, with whom he started his career when they collaborated on Mama (妈妈 māma).
Xiaoshuai Wang, China. Wang Xiaoshuai was a pioneer figure of Chinese independent films in the 1990s, and is one of very few masters who remains true to his art in spite of rampant commercialism in nowadays Chinese film market.
Dec 6, 2019 · Wang Xiaoshuai’s moving, expansive new drama So Long, My Son follows a familiar movie trajectory: the miseries and disappointments of life under Chinese communism followed by the even worse...
The earliest masterpiece of Chinese cinema. The advanced mise-en-scène and camera language paralleled the world cinema at that time. The de-ideological story has kept its aesthetics alive to this day.
