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  1. Homi Adajania (born 28 February) is an Indian film director and writer. He made his directorial debut with Being Cyrus (2006), an English-language psychological drama. He followed this with the commercially successful Hindi-language romantic comedy Cocktail (2012).

  2. www.imdb.com › name › nm1223294Homi Adajania - IMDb

    Homi Adajania is an Indian filmmaker who has worked on movies like Being Cyrus, Cocktail, and Angrezi Medium. He is also a TV series creator and a music video actor. See his biography, awards, credits, and videos on IMDb.

    • Mumbai, Maharashtra, India
    • 4 min
    • Writer, Director, Actor
  3. Apr 10, 2024 · From niche English-language picks like Being Cyrus and Finding Fanny to more mainstream hits like Cocktail and Angrezi Medium, Homi Adajania is quite a versatile name among modern Indian directors. Here’s a definitive ranking of all movies directed by the Murder Mubarak filmmaker along with a guide on where to stream them all.

  4. Mar 20, 2024 · In an interview leading up to the release of his new film, Netflixs Murder Mubarak, director Homi Adajania thought it wise to describe it as ‘convoluted’. Like any sensible observer, your first instinct would be to give him the benefit of the doubt and assume that he’d misspoken.

    • Rohan Naahar
    • 153
  5. Sep 24, 2014 · Learn about the life and work of Homi Adajania, the filmmaker who made Being Cyrus, Cocktail and Finding Fanny. He talks about his passion for travel, stories and quirky characters.

  6. Aug 17, 2014 · I knew I wanted to be a director when I saw Dil Chahta Hai. Zoya (Akhtar) was in college with me and I have known Farhan all my life. I felt if someone with my sensibility can make a film, then I too can. As a storyteller, the biggest influence was my dad (Aspi Adajania).

  7. May 5, 2024 · Read an exclusive interview with the maverick filmmaker who talks about his latest release Murder Mubarak, his collaboration with Dimple Kapadia, his web series Saas Bahu Aur Flamingo and more. He also reveals his approach to directing, his views on social commentary and his self-perception as an average filmmaker.

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