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Philippe Garrel (French:; born 6 April 1948) is a French director, cinematographer, screenwriter, film editor, and producer, associated with the French New Wave movement. His films have won him awards at Cannes Film Festival, Venice Film Festival, and Berlin Film Festival.
Philippe Garrel was born on 6 April 1948 in Paris, France. He is a writer and director, known for Regular Lovers (2005), I Can No Longer Hear the Guitar (1991) and Liberté, la nuit (1984).
Philippe Garrel est le fils de l'acteur Maurice Garrel [2] et le frère du producteur Thierry Garrel. Il est le père des acteurs Louis Garrel et Esther Garrel qu'il a eus avec la comédienne Brigitte Sy [ 3 ] .
Jun 11, 2017 · For more than 50 years, the French director Philippe Garrel has condensed, refracted and reimagined the highs and lows of his life on film – from his drug-fuelled relationship with the German singer Nico, in 1979’s L’Enfant secret, to his love affair with a much younger woman in this year’s Cannes title Lover for a Day.
Jan 13, 2016 · Explaining why Philippe Garrel is one of my favorite working directors can be difficult. Talking with a co-worker, I tried to sketch out his recurring interests: “he makes movies about men, often directors, who cheat on women and have trouble with themselves.”
Feb 21, 2023 · The 74-year-old auteur's latest stars his own three children — Louis Garrel, Esther Garrel and Lena Garrel — in a story about a patriarch handing over the reins of his long-running puppet theatre.
Philippe Garrel. Highest Rated: 100% The Secret Child (1979) Lowest Rated: 50% Frontier of Dawn (2008) Birthday: Apr 6, 1948. Birthplace: Paris, France. Born in France in 1948, Philippe...
Apr 6, 2017 · In praise of Philippe Garrel, unsung hero of the French New Wave. The director has been producing casual masterpieces since 1964.
Philippe Garrel (French: [gaʁɛl]; born 6 April 1948; Boulogne-Billancourt) is a French director, cinematographer, screenwriter, film editor, and producer, associated with the French New Wave movement.
Jan 15, 2016 · Garrel converts the romantic naturalism of “In the Shadow of Women” into a rich field of symbols and a sharp edge of self-challenging criticism; he turns its seemingly classical style...
