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  1. Shankar Jaikishan in 1962. While working as a team, Shankar and Jaikishan used to compose their songs separately. Generally, Shankar liked to work with Shailendra and Jaikishan with Hasrat Jaipuri though there are notable instances where Shankar worked with Hasrat and Jaikishan with Shailendra. Of course there are a number of songs done jointly in which both of them contributed. Between the two, Shankar was the senior partner and hence, he would usually arrange the orchestra, even for ...

  2. Mar 29, 2019 · Tracks00:22 Bedardi Balma Tujhko (Arzoo)04:48 Aankhon Aankhon Mein Baat Hone Do (Aankhon Aankhon Mein)08:23 Tumko Hamari Umar Lag Jaye (Ayee Milan Ki Bela)13...

  3. Press Play & Enjoy SuperHit tracks from the best of 'Top 20 Songs Of Shanakr Jaikishan'. Listen to her nonstop song collection or shuffle to listen to your f...

  4. Jaikishan Dayabhai Panchal was born on 4 November 1929 to Dayabhai Panchal and his wife. As a child he lived in Bansda (Vansada), a town in present day state of Gujarat. Jaikishan was adept at playing the harmonium. Subsequently, he obtained his musical lessons from Sangeet Visharad Wadilalji and later from Prem Shankar Nayak.

  5. Enjoy old hindi songs like Ajib Dastan Hai Yeh, Aajkal Tere Mere Pyar Ke Charche, Awara Hoon, Chalat Musafir and more.Songs in this Jukebox:Click on the timi...

  6. Shankar Jaikishan, also known as S/J, is an Indian music composer duo in the Hindi film industry, working together from 1949–1971. Shankar-Jaikishan, along with other artists, wrote “everlasting” and “immortal melodies” in fifties and sixties. Their best work was noted for being “raga-based and having both lilt and sonority”.

  7. Shankar and Jaikishan first met outside Gujarati director Chandravadan Bhatt's office. The musicians hit it off instantly, and Shankar offered Jaikishan a harmonium player's job at Prithvi Theatre. While working together, Raj Kapoor noticed the duo and offered their first assignment as assistants to the music director, Ram Ganguly, for the movie Aag (1948).

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