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  1. Nov 17, 2022 · ZAGREB: Producer Daniel Pek was chosen from among seven candidates as the new artistic director of the Pula Film Festival, Croatia’s biggest festival dedicated to national production and coproduction....

  2. May 15, 2020 · Croatian producer Danijel Pek founded the production company Antitalent in 2007 to focus on film, TV and online content. Through it he made two acclaimed films by Nevio Marasović, Vis-à-Vis [+. ] (2013) and Goran [+. ] (2016). In addition, in 2015 he launched the rental company CineCro which services international productions shooting in Croatia.

    • Vladan Petkovic
  3. Danijel Pek. Tonci Plazibat/Cropix. U svom programu Pek je predložio ponešto novina. Jedna od njih je premještanje Pule na raniji termin početkom ljeta. Koncem prošlog tjedna bez velike je medijske pažnje Vijeće Pulskog filmskog festivala odabralo novog umjetničkog ravnatelja. Taj izbor bio je pomalo iznenađenje.

  4. Danijel Pek is Croatian TV and film producer. He studied political science and film production in Zagreb and has professional experience as journalist and producer in television. 2007 he founded production company Antitalent ( www.antitalent.hr ) focused on film, TV and online content, today one of the leading production houses in Croatia.

  5. Danijel Pek is a Croatian TV and film producer. He studied production at the Academy of Dramatic Arts and political science at the Faculty of Political Science, and has worked as a journalist and editor on radio and TV. In 2007, he founded the production company Antitalent, which focuses on film, TV, and online content.

  6. Danijel Pek is Croatian TV and film producer. He studied political science and film production in Zagreb and has professional experience as journalist in various radio and tv newsrooms in Croatia. In 2007 he founded production company Antitalent (www.antitalent.hr) focused on film, TV and online content.

  7. Danijel Pek, suvlasnik Antitalenta, objašnjava kako u toj produkcijskoj kući biraju sadržaj koji će producirati? Veli kako svaki međunarodni uspjeh filma ili serije otvara puno novih mogućnosti cijeloj industriji.