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  1. 3 days ago · While Martin Scorsese might have introduced Michael Powell to Thelma Schoonmaker, the initiative to document Powell and Pressburger’s legacy, flowed from Schoonmaker to Scorsese. She recounts, “It was actually the idea of one of the producers Nick Varley, who had distributed Powell and Pressburger films for many years.

  2. 2 days ago · Director David Hinton, along with legendary editor Thelma Schoonmaker, who serves as an executive producer in Made in England: The Films of Powell and Pressburger, speak about the making of the ...

  3. 4 days ago · Thelma Schoonmaker (Executive Producer): A frequent collaborator of Scorsese, her editing prowess is legendary. Ronan Killeen (Cinematography): Captures the essence of Powell and Pressburger’s visual style. Adrian Johnston (Music): Provides a musical score that complements the documentary’s tone.

  4. 5 days ago · Alongside this, EIFF has announced the name of its short film competition as The Thelma Schoonmaker Prize for Short Filmmaking Excellence. Thelma Schoonmaker, who will be in attendance at the Festival, is celebrated for her iconic work as an editor on landmark moments in cinema history, collaborating on such films as Killers of the Flower Moon and Goodfellas.

  5. 3 days ago · Alongside this, EIFF has announced the name of its short film competition as The Thelma Schoonmaker Prize for Short Filmmaking Excellence. Thelma Schoonmaker , who will be in attendance at the Festival, is celebrated for her iconic work as an editor on landmark moments in cinema history, collaborating on such films as Killers of the Flower Moon and Goodfellas .

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  7. 3 days ago · July 3rd, 2024 by Adam Toroni-Byrne. Taxi Driver is a benchmark of 1970s cinema. The film is dark, gritty, grimy and shocking. Travis Bickle is the man we witness descending into the bowels of his mental health. Desperate for some clean normalcy, but dragging himself into other more torrid directions, we travel the darkness of 1970s New York ...

  8. 3 days ago · The film has been “newly remastered from the original camera negative, this exceptional new release was reviewed by Scorsese, cinematographer Robert Richardson, and editor Thelma Schoonmaker.” It’s certainly worth noting that the film is celebrating its 25th anniversary this year. Below you can get a glimpse at the full artwork for this ...