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5 days ago · The Queste del Saint Graal forms the central section of the thirteenth-century French romance triptych known as the Prose Lancelot, the biography of the greatest of Arthur’s secular knights, whose son Galahad (of the lineage of St Joseph of Arimathea), concludes the marvellous adventures of the Holy Grail. The cycle begins when the Holy Grail is seen in a spectacular vision at King Arthur’s Pentecostal court feast, and the knights of the Round Table embark on a quest to find it.
2 days ago · 'The Adventures of Sir Galahad' Sir Galahad is another of those characters from Arthurian legend who is often overshadowed by Arthur and Lancelot. This is particularly fascinating in that he is ...
1 day ago · No sooner gone than suddenly she began: 'To blame, my lord Sir Lancelot, much to blame! Why go ye not to these fair jousts? the knights Are half of them our enemies, and the crowd Will murmur, "Lo the shameless ones, who take Their pastime now the trustful King is gone!"'
6 days ago · The Adventures of Bottle Top Bill and His Best Friend Corky – children's; The Adventures of Parsley – children's; The Adventures of Sherlock Holmes – detective drama; The Adventures of Sir Lancelot – historical/fantasy drama; The Adventures of Spot – animated; The Adventures of William Tell – children's historical drama; Africa ...
1 day ago · We get a medieval-ish world in both Gerald Morris’s comical take on King Arthur’s court in The Adventures of Sir Lancelot the Great (96 pages), and Jennifer Trafton’s The Rise and Fall of Mount Majestic (350 pages) about an castle built on a mountain the rises and falls once a day.
4 days ago · Guinevere. Queen Guinevere had fled the court, and sat. There in the holy house at Almesbury. Weeping, none with her save a little maid, A novice: one low light betwixt them burned. Blurred by the creeping mist, for all abroad, Beneath a moon unseen albeit at full, The white mist, like a face-cloth to the face,
1 day ago · The cliches, anachronisms, inaccuracies, stereotypes, and plain bad dialogue, plotting, and pacing sometimes come across as intentional satire of the worst of Hollywood writing, and very funny satire at that - one is reminded of the brilliant MGM-style song and dance number about England in Harry Enfield's classic Sir Norbert Smith: A Life - except that in Covington Cross the writers and producers were apparently trying to be serious.
