Carol Morgan
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1 day ago · Faithless (1932) Harry Beaumont, Tallulah Bankhead, Robert Montgomery, Hugh Herbert July 5, 2024; The Public Defender (1931) J. Walter Ruben, Richard Dix, Shirley Grey, Purnell Pratt July 4, 2024; Pier 23 (1951) William Berke, Hugh Beaumont, Ann Savage, Edward Brophy July 4, 2024
3 days ago · Dennis’ look at Harry Beaumont’s Faithless (1932) on Blu-ray from the Warner Archive Collection, as well as Giuseppe Fiorello’s Fireworks (2023) on DVD from Cinephobia Releasing. And Stephen’s review of Ishirō Honda’s Invasion of Astro-Monster (1965) in 4K Ultra HD from Toho Studios in Japan (note that this release has no English ...
3 days ago · Back Street is a 1932 film made by Universal Pictures, directed by John M. Stahl, and produced by Carl Laemmle Jr.. The screenplay was written by Gladys Lehman and based on the novel by Fannie Hurst. The film stars Irene Dunne and John Boles.
4 days ago · Vote up your favorite film comedies that were released in the 1930s. As cinema flourished during the 1930s, a golden era of comedy emerged that propelled funny movies into the limelight. The silver screen suddenly focused on laughter, introducing audiences to timeless humor and memorable performances by comedians.
4 days ago · Dennis’ look at Harry Beaumont’s Faithless (1932) on Blu-ray from the Warner Archive Collection, as well as Giuseppe Fiorello’s Fireworks (2023) on DVD from Cinephobia Releasing. And Stephen’s review of Ishirō Honda’s Invasion of Astro-Monster (1965) in 4K Ultra HD from Toho Studios in Japan (note that this release has no English ...
1 day ago · The film follows a river journey from South Vietnam into Cambodia undertaken by Captain Willard (Martin Sheen), who is on a secret mission to assassinate Colonel Kurtz (Marlon Brando), a renegade Special Forces officer who is accused of murder and presumed insane.
5 days ago · For the past several weeks, Matthew’s Gospel has been unrelenting in his attacks on the Pharisees. They are presented as faithless husbandmen in a vineyard they try to seize for their own. They are portrayed as insincere interlocutors who question Jesus, not to learn but to catch him in his words.
