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5 days ago · Released: 1984 Genre: Electronic Style: Synth-pop. lyrics : Why does it hurt when my heart misses the beat?The man without shadow promises you the worldTell him your dreams and fanatical needsHe's...
- 3 min
- 41
- DJ. Zsori. (Free) Italo-Disco.
5 days ago · Someone is imitating the nefarious mastermind in Fritz Lang’s final film, the third in a trilogy that began with Dr. Mabuse, the Gambler (1922) and continued with The Testament of Dr. Mabuse (1933).
11 hours ago · Eine intertextuelle Betrachtung zeigt jedoch, dass der Spionagethriller nicht nur Übernahmen aus Jacques’ Dr. Mabuse-Reihe, sondern vor allem aus The Thirty-Nine Steps (1915) aufweist: In Spione gestaltet von Harbou den bereits bei Buchan angelegten Antisemitismus literarisch aus, indem ihr vor allem die Augen dazu dienen, den Bösewicht als ‚den‘ Juden und somit seiner zeithistorisch typischen Erscheinungsform gemäß als Weltverschwörer zu charakterisieren.
5 days ago · Lang’s use of striking, stylized images is also demonstrated in the other films of his Expressionist period, notably the crime melodrama Dr. Mabuse, der Spieler (Dr. Mabuse, the Gambler, 1922), the Wagnerian diptych Siegfried (1922–24) and Kriemhilds Rache (Kriemhild’s Revenge, 1922–23), and the stunningly futuristic Metropolis (1926 ...
11 hours ago · Metropolis (1927 film) Metropolis. (1927 film) Metropolis is a 1927 German expressionist science-fiction silent film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang [4] [5] from von Harbou's 1925 novel of the same name (which was intentionally written as a treatment ). It stars Gustav Fröhlich, Alfred Abel ...
17 hours ago · Strictly judges Craig Revel Horwood and Motsi Mabuse finally show their support for embattled Giovanni Pernice F1 fans hit out at Brad Pitt for 'disrespectful' move during the British Grand Prix ...
3 days ago · When that power has fallen into the wrong hands, like Nazi propaganda master Joseph Goebbels, it has been used to generate support for an evil cause. In a way, though, it is the films that ...
