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  1. 4 days ago · Beethoven came of age in music’s Classical era, in which symphonies often followed similar structures: a sonata-form first movement, a slow second, a minuet third and a fast, rousing finale.

  2. 4 days ago · Beethoven is widely regarded as the greatest composer who ever lived, in no small part because of his ability—unlike any before him—to translate feeling into music. His most famous compositions included Symphony No. 5 in C Minor, Op. 67 (1808), Symphony No. 7 in A Major, Op 92 (1813), and Symphony No. 9 in D Minor, Op. 125 (1824).

  3. 5 days ago · The big golden Musikverein hall is permanently occupied by the Weiner Philarmoniker that reciprocates by keeping its best performances for this impressive venue. This season the Philarmoniker will be directed by different maestros: Ingo Metzmacher, Daniel Barenboim, Herbert Blomstedt and Semyon Bychkov.

  4. 4 days ago · Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.

  5. 4 days ago · Play the second violin part from the score to help you hear the contrasting melody while the firsts play the main motive. In the ff section, the roles reverse and the main motive is played by the winds. The whole excerpt should feel like one musical unit or one long phrase. Beethoven Symphony No. 7, Mvt. 2, Violin I.

  6. 1 day ago · Beethoven, born in 1770, left an indelible mark on the world with his extraordinary compositions which include nine symphonies, five piano concertos, a violin concerto, various string quartets, sonatas, and his renowned opera, Fidelio.

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  8. 4 days ago · Ludwig van Beethoven - Composer, Innovator, Genius: Beethoven’s greatest achievement was to raise instrumental music, hitherto considered inferior to vocal, to the highest plane of art. During the 18th century, music, being fundamentally nonimitative, was ranked below literature and painting.