2010
Search results
3 days ago · The film’s authenticity is key to its success. Allison Anders was very aware of her status as a white woman in a Latino neighborhood and deliberately set out to not make a preachy, colonizing movie.
5 days ago · Pinky’s obsession with Millie evolves into something ominous. When Allison Anders (Gas Food Lodging) included 3 Women in her Criterion Top 10, she noted that Spacek is “able to go from completely naturalistic to totally surreal . . . and still hold her character—it’s amazing.” Spacek by this point was the bigger star.
1 day ago · This month, the cinema at Louisville’s Speed Art Museum is presenting three older movies that have renewed timeliness. On July 11 at 6 p.m. it’s bringing the influential director Allison Anders—a native of Ashland, Kentucky—to town for a presentation of her important 1993 indie film Mi Vida Loca (My Crazy Life). The movie centers on two ...
15 hours ago · 1975 / Color / 1:78 widescreen / 107 min. / available through The Criterion Collection / Street Date April 9, 2024 / 49.95. Starring: Rachael Roberts, Vivean Gray, Helen Morse, Anne Lambert, Dominic Guard. Cinematography: Russell Boyd.
4 days ago · A great example of what makes a noir film noir, Act of Violence is a postwar revenge story that doesn’t involve private detectives, organized crime or massive conspiracies. Instead, an ‘upwardly mobile’ new family looking forward to living the Good Life is destroyed from within by a dark secret.
3 days ago · Allison Anders (born November 16, 1954) is an American independent film director whose films include Gas Food Lodging, Mi Vida Loca and Grace of My Heart. Anders has collaborated with fellow UCLA School of Theater, Film and Television graduate Kurt Voss and has also worked as a television director.
People also ask
Who is Allison Anderson?
Who is ally Anderson?
Who is Nelison Anderson?
Who is Allison?
1 day ago · Background. The American independent film, prior to the 1980s and first half of the 1990s, was previously associated with Poverty Row b movies, exploitation films, avant-garde underground cinema (when it was known as the New American Cinema), social and political documentaries, experimental animated shorts (since the mid-1930s featuring works by pioneer animators Mary Ellen Bute and Oskar Fischinger) and social realist dramas.
