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  1. 2 days ago · A movie theater would probably be the best place to see “Kill,” a bloody Hindi-language Indian beat-em-up set on a train to New Delhi. The movie features a handful of visually dynamic fight scenes, choreographed by action directors Se-yeong Oh and Parvez Sheikh (“Fighter,” “War”), directed by Nikhil Nagesh Bhat, and shot by cinematographer Rafey Mehmood.

  2. 23 hours ago · Director Nikhil Nagesh Bhat judiciously uses a confined space to present an actioner, every scene of which taps with nervous energy. The best action is the action that feels like a release. Kill ...

  3. 4 days ago · In Short. 'Kill' marks Lakshya's debut and is also Tanya Maniktala's first big screen appearance. Directed by Nikhil Nagesh Bhat, it has Raghav Juyal as the antagonist. "This is an absolute must-watch for all fans of action and otherwise," reads our review. Rating: Release Date: 5 Jul, 2024.

  4. 4 days ago · The posse of dakus is led by a son-and-father duo (Raghav Juyal as Fani, and Ashish Vidyarthi as Beni), and once the bets are off, triggered by a killing which feels even more gratuitous than the others, it’s a free-for-all, and the body count piles in grisly, grotesque ways.

  5. 1 day ago · The movie also delivers some of the most intense deaths by a fire extinguisher ever seen in cinema. This, in turn, leads to some of the most brutal action scenes in recent memory. Amrit makes surprisingly effective use of his crowded surroundings for maximum damage to the group of train bandits, whether it be slamming their heads against nearby ...

  6. 5 days ago · Experience the relentless action of 'Kill' as Lakshya and Raghav Juyal redefine violence in Indian cinema. A train journey turns into a brutal battle for survival. Don't miss this innovative film.

  7. 4 days ago · Duration: 105 mins. Available in: Theatres. Purely as an action thriller, Nikhil Nagesh Bhats Kill is slick, savage and supremely satisfying to watch. It ticks all the boxes: Creative choreography, relentless rhythm, unforgiving gore, the tactful use of space, the raw physicality of the performers, a real-world rage.

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