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The Mel Hoppenheim School of Cinema, a division of the Faculty of Fine Arts at Concordia University, is a film school located in Montreal, Quebec. [1] Informally known as MHSoC, the school accepts around 250 students a year for programs in animation, film production and film studies.
The Mel Hoppenheim School of Cinema is the largest university-based centre for the study of film animation, film production and film and moving image studies in Canada. We have an international reputation as a leader in the practice and study of the cinematic arts.
The Mel Hoppenheim School of Cinema is the largest university-based centre for the study of film animation, film production and film and moving image studies in Canada.
At Mel Hoppenheim School of Cinema, students learn the techniques of animation, discover the technical and aesthetic practices of production, or delve deeper into the meaning of film.
Jan 13, 2022 · The Mel Hoppenheim School of Cinema is the largest university-based centre for the study of film animation, film production and film studies in Canada. We have an international reputation as a leader in the practice and study of the cinematic arts.
The largest university-based centre for the study of film animation, film production and film studies in Canada, admitting 250 students to our undergraduate and…
Founded in 1976, The Mel Hoppenheim School of Cinema is where future filmmakers, animators and scholars discover the history, tradition, artistic and cultural potential of film and moving image...
The Mel Hoppenheim School of Cinema is a well-respected institution in the field of filmmaking, and known for its high-quality programs, state-of-the-art facilities and innovative approach to education.
Apply to Concordia University - Mel Hoppenheim School of Cinema. Powered by SlideRoom.
Aug 31, 2023 · Ishita Tiwary is an Assistant Professor and Canada Research Chair (Tier 2) in Media, Migration, and Cinema at the Mel Hoppenheim School of Cinema, Concordia University. Her research interests include video cultures, media infrastructures, contraband media practices, migration and media aesthetics in South Asia.
