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Kathryn Ann Bigelow (/ ˈ b ɪ ɡ ə ˌ l oʊ /; born November 27, 1951) is an American filmmaker. Bigelow has received numerous accolades including two Academy Awards , two BAFTA Awards , and a Primetime Emmy Award .
Kathryn Bigelow. Director: The Hurt Locker. A very talented painter, Kathryn spent two years at the San Francisco Art Institute. At 20, she won a scholarship to the Whitney Museum's Independent Study Program.
May 17, 2024 · Kathryn Bigelow, American film director and screenwriter, noted for action films that often featured protagonists struggling with inner conflict. She was the first woman to win an Academy Award for best director, for The Hurt Locker (2008). Learn more about Bigelow’s life and work.
Kathryn Bigelow. Director: The Hurt Locker. A very talented painter, Kathryn spent two years at the San Francisco Art Institute. At 20, she won a scholarship to the Whitney Museum's Independent Study Program.
Aug 2, 2017 · Bigelow is referring to the acquittals of white police officers tried for shooting and killing unarmed African-American citizens, proceedings – many would say...
Mar 14, 2010 · Kathryn Bigelow’s two-fisted win at the Academy Awards has helped dismantle stereotypes about what types of films women can and should direct.
Kathryn Ann Bigelow (born November 27, 1951) is an American film director. Her best-known films are the cult horror film Near Dark (1987), the surfer/bank robbery action picture Point Break (1991), the historical/mystery film The Weight of Water (2000) and the war drama The Hurt Locker (2008).
Dec 27, 2012 · As a female director who specializes in male-focused action movies — and who, with “ The Hurt Locker ,” became the first woman to win an Oscar for directing — Ms. Bigelow, 61, is often defined...
Aug 1, 2017 · Kathryn Bigelow worried she was the wrong person to direct “ Detroit .” The Oscar winner’s ripped-from-the-headlines drama, which opens nationwide on Aug. 4, burrows into one of the most...
Oct 6, 2021 · Kathryn Bigelow - the first woman to win the Academy Award for Best Director in 2008, paved the way for the modern feminist directors we know, admire, and love.
