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19 hours ago · Hitchcock told Truffaut that the film was the first of his to be influenced by German Expressionism: "In truth, you might almost say that The Lodger was my first picture." He made his first cameo appearance in the film, sitting in a newsroom. Marriage The Hitchcocks on their wedding day, Brompton Oratory, 2 December 1926
2 days ago · Cinema itself is inherently voyeuristic, and the best films about surveillance have the potential to capture the Platonic ideal of pure cinema. “You have an immobilised man looking out, that’s one part of the film,” said Alfred Hitchcock to François Truffaut about Rear Window (1954).
3 days ago · Francois Truffaut, French film critic, director, and producer who was a pioneer in the New Wave movement. He was perhaps best known for the Antoine Doinel saga, including The 400 Blows, Stolen Kisses, and Bed & Board. His other notable films included Jules et Jim and Day for Night.
1 day ago · In a series of 1962 interviews with Hitchcock and the French New Wave director, François Truffaut, Hitchcock confesses what bothered him most about Vertigo's plot hole, stating:
2 days ago · With Anthony Hopkins as Alfred Hitchcock, Helen Mirren as Alma Reville, Scarlett Johansson as Janet Leigh, Danny Huston as Whitfield Cook, Toni Collette as Peggy Robertson, Michael Stuhlbarg as Lew Wasserman, Michael Wincott as Ed Gein, and Jessica Biel as Vera Miles.
4 days ago · French New Wave notes: The French New Wave, or "La Nouvelle Vague," emerged in the late 1950s as a significant movement in film history, characterized by its innovative techniques, unconventional narratives, and auteur-driven approach. This movement not only revolutionized French cinema but also had a profound impact on filmmaking worldwide.
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3 days ago · Hitchcock was a private man and, throughout his life, shielded his faith from the world’s constantly prying eyes. What more there was to it, like one of his ingenious “MacGuffins,” was to remain hidden, “off-screen.”
