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Ashutosh Gowariker (born 15 February 1964) is an Indian film director, actor, screenwriter and producer who works in Hindi cinema. He is known for directing films "set on a huge canvas while boasting of an opulent treatment".
Ashutosh Gowariker. Actor. Writer. Producer. IMDbPro Starmeter See rank. Play trailer 2:17. Kaala Paani (2023– ) 3 Videos. 7 Photos. His passion for cinema immediately draws your attention, making you realize that Ashutosh Gowariker would not have been anywhere except behind the camera, however tempting the choice.
Feb 15, 2024 · Ashutosh Gowariker’s Lagaan was a big cultural moment for Indians. It was probably the first time that Indians woke up at an ungodly hour to watch the Oscar telecast because there was an Indian film, and a much loved one at that, which was on the verge of making history on the biggest international stage.
Jun 15, 2021 · 15 Jun 2021, 12:17 pm. Ashutosh Gowariker’s Lagaan completes 20 years today. A modern classic, the Aamir Khan-starrer film has a vast and storied legacy. It even went on to be only the third Indian film to get nominated for the Best Foreign Language Film Oscar.
Overview. Born. February 15, 1964 · Kolhapur, Maharashtra, India. Height. 5′ 10¾″ (1.80 m) Mini Bio. His passion for cinema immediately draws your attention, making you realize that Ashutosh Gowariker would not have been anywhere except behind the camera, however tempting the choice.
Mostly known for his magnificent periodic dramas, Ashutosh Gowariker is an Indian director, actor, producer and screenwriter. He has made movies like Lagaan, Swades, and Jodha Akbar. Lagaan became the third Indian film to be nominated for the Academy Award for Best Foreign Language Film after Mother India and Salaam Bombay!.
May 6, 2024 · Ashutosh Gowariker, Indian actor, director, and screenwriter who was perhaps best known for Lagaan (2001; “Agricultural Tax”), which received an Academy Award nomination for best foreign-language film. Learn more about Gowariker’s life and work, including his other notable movies.
