2020
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1 day ago · Q&A with Walter Murch, filmed at Curzon Soho, 2017; Behind the Scenes Stills Gallery; 50th Anniversary trailer; Feature commentary with writer/director Francis Ford Coppola; Feature Commentary with Editor Walter Murch Close-up on ‘The Conversation' Coppola dictates script – Opening Sequence – The Life of Harry Caul – The Convention
20 hours ago · I also understand they used the approved reference prince (used for the colour grading and 5.1 soundtrack in 2000) thanks to Walter Murch, Coppola’s favoured editor and sound man in this situation. The film itself picked up a BAFTA for sound, and that element is vital to the plot.
2 days ago · With its jigsaw-puzzle narrative – revolving around a murder that may or may not have taken place – eked from Walter Murch’s extraordinary sound design, it’s a devastating exploration of loneliness, guilt and lost faith.
20 hours ago · Murch and his crew fabricated the mood of the jungle on the soundtrack. Apocalypse Now used novel sound techniques for a movie, as Murch insisted on recording the most up-to-date gunfire and employed the Dolby Stereo 70 mm Six Track system for the 70 mm release, which used two channels of sound behind the audience as well as three channels from behind the movie screen. [85]
5 days ago · Apart from these records, Oz remained a dead project at the studio until the early 1980s when the studio invited Walter Murch to a pitch meeting. Even if you don’t know Murch’s name, you’re definitely familiar with his work.
1 day ago · The screening on Wed 10 July 18:20 features a Q&A with film editor and sound designer Walter Murch SIGHT AND SOUND Never miss an issue with Sight and Sound, the BFI’s internationally renowned film magazine. Subscribe from just £25* *Price based on a 6-month print subscription (UK only). More info: sightandsoundsubs.bfi.org.uk. BFI SOUTHBANK
3 days ago · Issue 56 of the Nautilus print edition combines some of the best content from our May and June 2024 online issues. It includes contributions from film director Walter Murch, documentary filmmaker Chris Foster, language scientist Julie Sedivy, science writer Amanda Gefter, and more. This issue also features a new illustration by Chris Buzelli.
