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Akhtari Bai Faizabadi (7 October 1914 – 30 October 1974), also known as Begum Akhtar, was an Indian singer and actress. Dubbed "Mallika-e-Ghazal" (Queen of Ghazals), she is regarded as one of the greatest singers of ghazal, dadra, and thumri genres of Hindustani classical music.
Presenting Top 25 Hit Ghazals Of Begum Akhtar.Akhtari Bai sang the ghazal with such insight and sensitivity that she created a new area where poetry and musi...
Begum Akhtar, also known as Akhtari Bai Faizabadi, was a well-known Indian singer of Hindustani classical music, most famous for her renditions of the Ghazal, Dadra, and Thumri genres.
Begum Akhtar was a refined Ghazal singer and was called as Mallika-e-Ghazal or the Queen of Ghazals. Her style of singing is inimitable and few can match upto her style. Most compositions were self composed and based on Ragas.
Feb 24, 2023 · 00:00:06 Ae Mohabbat Tere Anjaam Pe Rona Aya00:03:31 Woh Jo Ham Men Tum Men Qarar Tha00:09:28 Mere Humnafas Mere Humnava00:16:17 Aah Ko Chahiiye Ek Umar Asar...
Aug 20, 2014 · Listen to one of the Melodious Song "Woh Jo Ham Men Tum Men Qarar Tha" of Begum Akhtar Song :- Woh Jo Ham Men Tum Men Qarar Tha Singer :- Begum Akhtar Music Director :- Khaiyyaam Lyricist...
Begum Akhtar has been considered the undisputable Malika-e-Ghazal (Queen of Ghazal) due to her contribution in bringing ghazal gayaki to its present form. The recognition of her musical finesse came from not only her enchanted audience but also from the state.
Oct 7, 2014 · But the story that really stays with me about Begum Akhtar, whose 100th birth anniversary is being commemorated on Tuesday, is about how she became unwell when her husband refused to let her sing.
Jan 26, 2022 · She not only learnt classical music but also the semi-classical forms like ghazals, bhajans, thumris and dadras. A broad-minded person who shunned the shackles of tradition, she believed in the empowerment of women. I happened to be taking lessons from the thumri queen, Sidheshwari Devi.
Jun 4, 2021 · In Hai Akhtari!, the marvellous documentary by music critic S. Kalidas, Sheila Dhar comments insightfully on Begum Akhtar’s ability to generate complex musical meaning from the relatively narrow ground of the thumri and the ghazal and how her music was inseparable from her sparkling personality.
