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Alain Resnais (French: [alɛ̃ ʁɛnɛ]; 3 June 1922 – 1 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct short films including Night and Fog (1956), an influential documentary about the Nazi concentration camps .
Alain Resnais was born on 3 June 1922 in Vannes, Morbihan, France. He was a director and editor, known for Hiroshima Mon Amour (1959), Same Old Song (1997) and My American Uncle (1980). He was married to Sabine Azéma and Florence Malraux.
May 30, 2024 · Alain Resnais, French film director, a leader of the New Wave of unorthodox, influential film directors appearing in France in the late 1950s. Resnais showed people at their most sensitive, confronting their own devious barbarism.
Alain Resnais [a l ɛ̃ ʁ ɛ n ɛ] [n 1] est un réalisateur français, également scénariste et monteur, né le 3 juin 1922 à Vannes et mort le 1 er mars 2014 à Neuilly-sur-Seine (Hauts-de-Seine).
A legendary – and still incredibly active – figure in French cinema, Alain Resnais (b.1922) has created some of the most important and indelible films of the postwar era.
Mar 2, 2014 · Resnais started making films after the war, a time when memory itself was, in France, an equivocal virtue—and he made memory his subject. And, from his quest to realize memory in...
Mar 3, 2014 · Alain Resnais, the French filmmaker who helped introduce literary modernism to the movies and became an international art-house star with nonlinear narrative films like “Hiroshima Mon Amour”...
Alain Resnais: Selected Works. As one of the key Left Bank filmmakers of the French New Wave, Alain Resnais has become renowned for his politically engaged, elliptical works which frequently question the nature of time and memory in cinema.
Alain Resnais was born on June 3, 1922 in Vannes, Morbihan, France. He was a director and editor, known for Hiroshima Mon Amour (1959), Same Old Song (1997) and My American Uncle (1980). He was married to Sabine Azéma and Florence Malraux.
TRACKING SOME ANGLES: A TALK WITH ALAIN RESNAIS. By Frederic Tuten. WE WERE INTENDING TO MEET for days, but Alain Resnais was caught up in the final postproduction touches on his most recent film, L’Amour à Mort. This would have been one of the many talks we have had over the years of our friendship.
