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  1. John Nicholas Cassavetes, cunoscut mai ales ca John Cassavetes, (n. 9 decembrie 1929, New York City, New York, SUA – d. 3 februarie 1989, Los Angeles, California, SUA) a fost un regizor, actor, producător, monteur și scenarist american. Cassavetes a apărut în multe filme realizate la Hollywood, dar este cel mai cunoscut pentru a fi fost ...

  2. Feb 4, 1989 · John Cassavetes, an actor, screenwriter and director who was in the forefront of American cinema verite, died yesterday in Los Angeles. He was 59 years old. A spokesman for the actress Gena ...

  3. Feb 4, 1989 · Feb. 4, 1989 12 AM PT. Times Staff Writer. John Cassavetes, the innovative film maker deeply admired by some but scorned by others for such off-center movies as “A Woman Under the Influence ...

  4. May 21, 2018 · John Cassavetes. John Cassavetes (1929-1989) was one of the most highly acclaimed independent filmmakers in America. He was widely honored for motion pictures that successfully brought to the screen believable portrayals of real human emotion.

  5. John Nicholas Cassavetes (December 9, 1929 – February 3, 1989) was an American actor, film director, and screenwriter. First known as an actor on television and in film, Cassavetes also became a pioneer of American independent cinema, writing and directing movies financed in part with income from his acting work.

  6. Nick Cassavetes. Nicholas David Rowland Cassavetes (born May 21, 1959) [1] is an American actor, director, and writer. He has directed such films as She's So Lovely (1997), John Q. (2002), The Notebook (2004), Alpha Dog (2006), and My Sister's Keeper (2009). His acting credits include an uncredited role in Husbands (1970)—which was directed ...

  7. John Cassavetes was a genius, a visionary, and the progenitor of American independent film, but that doesn’t begin to get at the generosity of his art. A former theater actor fascinated by the power of improvisation, Cassavetes brought his search for truth in performance to the screen. The five films in this collection—all of which the director maintained total control over by financing them himself and making them outside the studio system—are electrifying and compassionate creations ...