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  1. The Pickford Center for Motion Picture Study, located in central Hollywood and named for legendary actress and Academy founder Mary Pickford, houses several Academy departments, including the Academy Film Archive, the Science and Technology Council, Student Academy Awards and Grants, and the Nicholl Fellowships in Screenwriting. The building, originally dedicated on August 18, 1948, is the oldest surviving structure in Hollywood that was designed specifically with television in mind.

  2. Rate. 74 Metascore. A convict falls in love with his new cellmate's sister, only to become embroiled in a planned break-out which is certain to have lethal consequences. Director George W. Hill Ward Wing Stars Chester Morris Wallace Beery Lewis Stone. 2. A Farewell to Arms. 1932 1h 20m Approved.

  3. * Special Achievement Award (Visual Effects) - Les Bowie, Colin Chilvers, Denys Coop, Roy Field, Derek Meddings, Zoran Perisic Film Editing - Stuart Baird Music (Original Score) - John Williams Sound - Gordon K. McCallum, Graham Hartstone, Nicolas Le Messurier, Roy Charman

  4. Memorable Moments. Ben Burtt. Special Achievement Award for Star Wars, with presenters Anthony Daniels as C-3PO and Mark Hamill. Vanessa Redgrave. Supporting Actress winner for Julia. John Williams. Original Score winner Star Wars, with presenters Olivia Newton-John and Henry Mancini. View More Memorable Moments.

  5. The Academy Award for Film Editing was first given for films issued in 1934. The name of this award is occasionally changed; in 2008, it was listed as the Academy Award for Achievement in Film Editing. The New York Times published an article by…

  6. Film Editing - Christopher Tellefsen Best Picture - Michael De Luca, Rachael Horovitz and Brad Pitt, Producers Sound Mixing - Deb Adair, Ron Bochar, David Giammarco and Ed Novick

  7. Mar 29, 2021 · by Juan Carlos Ojano. Best Film Editing is noteworthy as an Oscar categoryfor its strong connection with the Best Picture race. With the exception of 2014’s Birdman (which prided itself for being a one-take film even if it actually isn’t), we have to go back to 1980 to find a Best Picture winner without a corresponding Film Editing nomination.