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  1. Aug 4, 2016 · NEW DELHI: 'Peepli Live' co-director Mahmood Farooqui, who was last month found guilty of raping an American woman, was on Thursday sentenced to seven years in jail and was also ordered to pay to ...

  2. 3 Farooqui 2017, ¶¶1–6, at 81. 4 State (Govt. of NCT of Delhi) v. Mahmood Farooqui (2016) Sc. No. 1590/2016 Saket Courts New Delhi, ¶1 [hereinafter Farooqui 2016]. 5 Farooqui 2016, ¶103:“A woman is said to consent, only when she freely agrees to submit herself, while in free and unconstrained

  3. The Delhi High Court’s decision to overrule the trial court’s conviction of Mahmood Farooqui under Section 376 of IPC,1860 raises different controversial questions, not only about the meaning of consent and the minimum standard for proving lack of consent in a rape prosecution but also about the purpose of Criminal Law related to the sexual offenses and the limits of these laws.

  4. en.wikipedia.org › wiki › Anusha_RizviAnusha Rizvi - Wikipedia

    Spouse. Mahmood Farooqui. Anusha Rizvi (born 13 March 1978) is an Indian film director and screenwriter. Formerly a journalist, Anusha's directorial debut, Peepli Live, premiered at the Sundance Film Festival 2010 in the World Competition Section. [1] It was the first Indian film to be accepted in the 25 years of the festival’s existence.

  5. Mahmood Farooqui studied history In India and at the university of Oxford as a Rhodes Scholar. Over the last four years he has worked to revive Dastangoi, the lost art of storytelling in Urdu. He has been helped and guided by S. R. Faruqi, Urdu's pre-eminent critic and writer.

  6. Facts: The prosecutrix was a student of Columbia University, New York and was a Fulbright fellow affiliated with Delhi University, History Department and had been pursuing her PhD work in the ...

  7. Jan 13, 2011 · Mahmood Farooqui and Danish Hussain, the most established contemporary duo of dastangos, transport the audience to Tilism-e-Hoshruba, or the world of enchantment. (The seven-volume Tilism-e-Hoshruba was the most popular subset in the 46-volume canon of Amir Hamza's dastans.) The duo's rhetoric is flawless and their style mesmerising.